Grand Portal

There is no attempt to draw any medical implications here; but this is an astonishing
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overlaying or parallel process that can be observed, showing how the processing energy system of
Source lowers its frequency down into the genetic and neuronal level evincing (as above so below),
as in the macrocosmic so in the microcosmic. It seems there are metaphysical and biogenetic parallel
processes at work here; processes that might be identical, just octaves up or down. However, I will
leave for others more medically qualified the further investigation of this likelihood.
The gene that influences Alzheimer’s disease, an immobilizing disease, is located on
chromosome 1. Likewise there are also studies showing that a defective chromosome 1 can result in
alcoholism and affective disorder, or depression (Nurnberger JI Jr., T. Foroud, L. Flury et al.). These
too, of course relate to motor functioning. People with severe depression, or affective disorder, tend
to stay inside for days or even weeks on end, and so do not travel around. In many ways these three
conditions express the antithesis of the mastership model: Alzheimer patients are dependent upon
others; alcoholics look to alcohol as a savior or redeemer of sorts to bring relief, and suffer impaired
motor functioning; and those with affective disorder perceiving no saviors at all and no mastership
within become without hope and immobilized. It is almost certain then that all other unnatural
chronically habitual props, or saviors, such as tobacco and other poisonous or intoxicating botanicals
can be seen as having certain immobilizing features and are ultimately restricting, just as all other
GM constructed props, and beliefs.
In other words, another way of saying what we are looking at in Chamber 1 Painting is
“mastery of mobilization or mobility.” Most spiritual giants are almost renowned for their mobility:
Buddha walked all over India throughout his life, as did Gandhi; Esu Christos (“Jesus Christ” in
English) and his disciples too, walked all over their known world.
Lenin famously remarked, “Religion is the opiate of the people.” The statement would seem
either a little harsh or an exaggeration. Religion is far more pervasive than opiates, and with only a
few notable exceptions, infinitely less hallucinogenic. Religion is perhaps more closely the alcohol
of the habitual drinker. This is not to necessarily imply total teetotalism. Research shows a little wine
and beer can be good for the health. But perhaps – this needs medical confirmation -- teetotalism or
restricted alcohol consumption might be recommended for certain types of chromosome 1
deficiency? As constructs from the non-evolved GM, religions often affect an inability of their
followers to think creatively or originally and lead to responses more emotional, illogical and
over-imaginative, together with a slavish mental following of the religious system and/or its saviors;
“it immobilizes…ability to think original thoughts and feel original feelings” (G GM ). With the
heavy part of the GM falling away in Chamber 1 Painting we see all of these slavish unproductive
systems falling by the wayside when the transforming of GM and humanity is under way, especially
in the post-GP period. This implies too, that the genetic problems associated with chromosome 1
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disease will probably have been rectified by this time.
GP’s Significance in Chamber 1 Painting
James in “Coherence of the Evolutionary Consciousness” (“C of EV”) says that most humans
have submitted to a vibration of separation and anxiety, which is unspecified, broad-spectrum,
“difficult to identify, and, consequently, to resolve.” He gives the solution, however, in “Lyricus
Teachers” as the discovery of the GP:
This new science [of the GP ] is an all-encompassing system that is capable of restoring
health and balance to the physical, emotional, and mental dysfunctions of the soul carrier, which
account for the dysfunctions of society at large….The human-animal instinct of survival through
power and domination co-mingle with …misguided fear-beliefs inhabiting the genetic mind of the
species, which collectively give rise to human and social dysfunction….Each of these fear-beliefs
transform in the presence of the Grand Portal…. The Grand Portal is …the thread that unifies the
species, as well as the solution to the dysfunctions that have plagued humanity for generation
upon generation (Q&A 14).
The G&P say it is not humanity alone that brings about this change, or transforming of the
GM. Forces are at work within the universe and heavenly cosmos to help break this hold the current
H and GM have had over humanity for millennia. On the left of Chamber 1 Painting subtle waves of
purple- and light-blue FS or primeval UIS cosmic energy perhaps gently nudge, push and wash away
the antiquated, doctored structures of the GM launching the Earth free into the oceanic cosmic blue
beyond. Or these lighter blues on the left may be yet another UIS descending, or developing, to
assist the heavier left side of the GM break away from planetary humanity. Conversely, they could be
poorly scattered information systems that the H can muster – a weak UIS lacking a SI thread – that
are incapable of leading to the transformation of humanity and the GM.
At the top right, the streak or spiraling streak of UIS light with its red (SI) frequency has
struck the GM at the point where this bulky, restricting, ponderous portion of H and GM is splitting,
cracking, and fracturing away like a dead chrysalis, giving birth to a new humanity and the new GM
(fig. 1, fig. 2 and fig. 3). The feeling of breaking away is enhanced by the rippling waves of motion
in the bottom right hand corner, which, being light blue and red, represent again FS and SI (Part 1
6-7; Lock 2003) assisting and pulling it away irrevocably. The H’s lack of connection to Source (lack
of yellow) is conspicuous. As the G&P state “First Source is connected to individuals not
organizations…the Hierarchy is unconnected to the Source in a vital and dynamic way;” and the old
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H and GM here are, once the GP is discovered, disintegrating and breaking away under the influence
of Source itself and the UIS, as the H and GM are evolving into higher forms. This echoes the
paragraph cited above on CMT and correlates with what can be read under “Findings of the Grand
Portal”:
The Grand Portal is holographic, emitting from First Source and extending to UIS, embedded
within the master template, conducted into the quantum fields of the genetic mind, drawn into the
energetic systems of the soul carrier, and finally coiled within the DNA molecule of the species.
This masterful interchange of energy, information, and expression is orchestrated by the magnetic
field that surrounds the Grand Portal (James, “Lyricus”).
Our post-GP species, like all post-GP species, James informs, will “represent the cellular
structure of First Source, while the individuated consciousness represents the indivisible particle
thereof” (“Lyricus: P&M, Findings of GP” 3).
The Soul and HI
This reveals again that the light blue nucleus of the cocoon or cell is the individuated
consciousness, a.k.a. the WN, soul or individuated spirit, and shows its connection to the UIS and FS.
The red within the soul represents red SI and reveals its unbroken frequency traveling along the UIS.
As James says, the unifying Source Vibration of each HI that “defines the descending form in which
the human instrument manifests in the physical domain, as well as the ascension path upon which it
evolves” is “ analogous to what is – in esoteric schools – referred to as the soul’s heartbeat” (James
“C of EC”). The central red crescent-like shape within the light blue soul then, is, we can safely say,
the soul’s heartbeat, or Source Vibration.
The green/yellow body aspect of the HI encases the inner forms. No longer discarnate
separate components they now hold together in coherence. The yellow lines within the light blue
nucleic soul probably represent Source Reality (SR) or the Sovereign Integral Network (SIN) that the
transforming humanity and GM will be bringing into ever-greater fruition within the next several
hundred years.
When looking at Chamber 1 Painting from the individual HI viewpoint, it is most probable
that the green/yellow, red, and blue areas represent the three components of the HI: biological body,
emotions and feelings, and mind and mental processes respectively. The mind, blue, being the
coolest and most ‘inward’ of the three, is next to the light blue soul, and both the mind and warmer
red emotions and feelings contained within the – here green – healthy body that surrounds them.
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These colors also correspond fairly accurately to the colors for these areas on the HI portion of the
“Anatomy of the Individuated Consciousness” jpeg (see fig. 17). The orange band, probably
denoting the border between the physical realm of body and non-physical realms of emotion, mind,
and soul, is slim, again depicting the coherent nature and fusion of the soul carrier to its individuated
consciousness so “the species as a whole learns how to…operate the soul carrier as an integrated
extension of the individuated consciousness” (James “Lyricus: P&M The Dev. of a Species”). The
light blue cellular energies of the soul/individuated spirit, darker violet/blue mind, red/orange
emotions, and green/yellow body in the painting resonate together as a natural development from the
GP’s discovery.
Fig. 17. Twenty-four primary systems of the HI from
“Anatomy of the Individuated Consciousness”
[http://www.wingmakers.com/images/anatomydiagram.jpg].
In fig. 1 and fig. 2 the body aspect of the HI comes out a yellowish area in some
reproductions, but is actually a lime green in the CD, “Museum grade” and Collector’s Edition prints.
The “museum grade” print reveals the color to be a mid-vibrant green with a yellow over-wash
Page 34 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
making it lime green. This makes sense: Light green is the color to show the renewed, reborn,
vibrant healthy plant life of the HI as it rebirths every year in this color. Artists know a lush, fresh
light green is most indicative of new plant life. Of all the available prints 10 I personally regard the
“Museum grade” and Collector’s Edition version of Chamber 1 Painting from the website as being
the most accurate and excellent available in quality and original reproduction, and therefore assume
these colors the more accurate.
It is perhaps worth mentioning at this juncture a complementary physical global perspective
in which, within the cell or cocoon the green could represent “the plant kingdom” (Herder 91),
which together with the new humanity and animals, constitute a new natural, healthy, more highly
evolved planetary HI. Here, humanity is finally healed, healthy – green – and whole. Again from this
possible global perspective, the larger red, inside the species cell or cocooned humanity as a whole,
could represent the land or human aspect of the HI (Part 1; Lock 2003 15). Red is the color of the
landscape, earth and people originally around Chaco Canyon 1100-1200 years ago when, and where,
the paintings were allegedly done. In mythology red can mean “the body of man” (Jobes 1052). It
may also, of course, represent the conspicuous presence of SI as an active participant. If it means
land and people then both the red and green combined could signify the HI in its red blood and green
plant forms. The dark blue inner area in this interpretive model would then be globally representative
of the seas, oceans, and sky.
The more compelling interpretation is, however, the corollary with the Anatomy of the
Individuated Consciousness and the Coherence of Evolutionary Consciousness, with the central area
representing the constituent parts of the HI both collectively and individually. But his does not
preclude the relevance of a physical global perspective. It is possible to see and read both meanings
into the painting, demonstrating again the painting’s multiplicity of meaning and usage of imagery,
and perhaps suggesting the latent power to be released within the imagery upon comprehensive
realization of its content and meaning.
The newly transformed HI, and humanity, is in touch with SI and FS which is shown by the
cell’s red and blue, which are present within the belief system of the new GM, and by this time they
are also part and parcel of humanity’s scientific knowledge and existence. Yellow here is also a code
for the SIN, for by this time too, humanity has transformed by utilizing SIN in its intelligence
networks, bringing SI into an active role within global consciousness (G SIN). The new GM has
almost completely evolved – though it is still in its final stages of transforming – and genetic healing
is also implied to be almost complete. The GM then in Chamber 1 Painting is becoming “the ‘ship’
upon which it [humanity] sails the seas of the cosmos”, humanity becoming the “Gods” of newly
created worlds. Humanity in Chamber 1 Painting is finally, to a certain degree, “wired” to Creator.
Page 35 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Small Portal and Vague Animal Form
On the far right is the blue FS, red SI, and yellow SR, eye, almond, and vagina shaped portal
11 – the gateway to Source (see Part 1; Lock 2003). The portal has a barely visible hair-breadth link
to the top splint of the GM, appearing either to show it helping to pull the overt mass of GM away
(fig. 3), or perhaps even – because it is so small with such a tenuous link to the fracturing GM – to
represent the almost non-existent connection that the current GM and H have with Source, and that
this whole construct including its tenuous link to Source is no longer needed as humanity in the
painting now has its own greater link via the red Source Vibration within its own soul and coherent
nature.
There is a curious shadowy animal form with its neck, chin and front legs at the apex of the
GM point splintering away (fig. 3). It seems somehow related to this GM splinter and being
insubstantial in nature could well suggest the falling away of humanity’s weak, illusory
misconceptions regarding the animal species. No longer will humanity be thinking of dominating
and using these marvelous life forms for its own selfish purposes, erroneously thinking them dumb
or useless; but, by contrast, will be accepting of responsible stewardship for these HIs, assisting, and
nurturing them, and living in harmony and caring coherence with them, for they are an integral part
of the HI by definition (G HI ). The recent movie Two Brothers depicts this changing and evolving
human consciousness and attitude towards the animal component of the HI, and how these beautiful
yet wild instruments of Source possess and reflect our own behavioral and consciousness
characteristics (Goddard and Annaud), and in this way assist the evolution of the HI’s consciousness
away from the divisive errors of the past towards the coherent collective unity of our future HI.
Returning to the portal below the animal form, its colors here -- light blue, orange-yellow and
red -- echo to a considerable degree the colors of humanity or SEs and soul cocooned within the new
transformed GM (G OLIN). Their similar coloration shows their intimate correlation, or coherence
between the portal and new humanity as the GP and GM become humanity’s new science, gate and
spaceship to knowledge, travel and adventure throughout the universe (P3, P4). This conjures up, of
course, the famous mythic cosmic fetus imagery in the climatic scene of Stanley Kubrick’s film
2001: A Space Odyssey in which a newborn cosmic humanity finds a new dimension of existence in
space.
Timing and Process of Transforming GM and Humanity
When will this transforming of the GM and humanity occur? The G notes, (GM) imply it has
already begun: “Over the next 20 years [presumably1996/98-2016/18] the genetic mind will become
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increasingly fragmented and thus vulnerable to modification.” It says the cause is a global culture
with expanding intelligent networks and artificial intelligence. However to finish transformating the
GM takes considerably more time:
Within six generations, the genetic mind of the [our] species is stable and becomes a
powerful tool of exploration that the species will come to understand as its “spaceship” into the
multiverse (P3, P4).
But how long is six generations? In the Lyricus material under “Developmental Shifts” three
to five generations is suggested as being approximately 1996–2075 or 80, about 80 - 85 years,
making one current generation about 16 – 28 years with an average of 22. This in turn would mean
six generations currently being 96 – 168 years with an average of 132 years. The G&P however
suggest that it will be 600-700 years before the GM is completely transformed and humanity, or the
collective HI, finds its rightful place in the cosmos. Once the GP is deployed it will, according to the
WingMakers’ material, result in a longer lifespan and presumably a longer generational span of
about five times the present one, of approximately 100 – 116 years, taking us up to around AD 2680
– AD 2780, or 600 – 700 years post-GP. It is possible these “six generations” are of varying length,
from the current 16 – 28 years evolving up to an eventual 120 or multiple hundreds.
The development of OLIN technology then, predicted according to the WingMakers for the
remaining 12 years to 2016, will spur on the transforming of the GM, but it will complete
transforming after several hundred years. Therefore in this WingMakers’ Chamber 1 post-modern
mythographic painting of the transforming GM and humanity we see a process, probably already
occurring, speeding up around 2080 with the development of the GP and the descending UIS, that
continues at ever increasing acceleration, individual by individual for between 600-700 years up to a
time of between AD 2680 – AD 2780. If the 600 – 700 years timing began in 1996 then the earliest
time of complete transformation of humanity according to the WingMakers philosophy will be
around AD 2596. How much of this entire process is depicted within the original Lyricus work
remains, of course, to be seen.
According to James the original artworks from which the Chaco paintings were derived
undulate and move, they are not static. It would be reasonable then to presume that in Chamber 1
Painting the whole process is shown; from the first splintering, cracking and fracturing of the GM to
its eventual useless portion breaking away leaving the Earth and humanity free in the cosmic ocean.
The specific “one shot scene” of the painting here suggests it is either at the time of the discovery of
the GP or sometime post-GP just as collective humanity is to set sail into the cosmic ocean. This is
Page 37 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
an excellent choice of “time” by which to signify, or render, the whole process of transforming the
GM and humanity.
The alleged original in the Lyricus “museum” or “gallery” will, of course depict the
transformation of the GM and humanity of any planetary system rather than the specific GM and
humanity of Earth. How different the two, or their glyphs, are is unknown at present, but clearly a
semi abstract painting like Chamber 1 Painting is obviously an excellent choice for expressing such
a universal concept. This should be born in mind when looking at all the WingMakers’ chamber
paintings. The Lyricus “original” pictures – not the actual planet-based chamber paintings -- will
invariably be depicting universal realities, concepts, and principles rather than specific planetary
ones. They will however apply to all planets, including our own. Perhaps the planet-based paintings
are at times modified slightly in order to relate more directly to the specific planetary species.
Significance of Chamber 1 Painting
The significance of Chamber 1 Painting is its promise of an epochal freedom for humanity in
the near future with cosmic forces within and without assisting to fulfill humanity’s evolutional
destiny by transforming the GM to one that serves humanity through both its, and humanity’s, direct
access to the GP, FS and SI. In P4 we find in “…this time the new structure of the hierarchy will –
like a glove turned outside in – finally fit the ‘human hand.’” The light ray of UIS and SI still on the
brown outer casing or glove of GM (fig. 1 and fig. 3) show the latter’s direct nourishment from
them.
Specifically the painting shows humanity breaking away from the current survival mode and
saviorship models; the old worn-out concepts; ineffective, imperfect practices; and the belief
systems of a Hierarchical-structured GM that no longer assists humanity:
The time is fast approaching when the veils of control at all levels of the hierarchy will be
rendered obsolete by entities who are destined to pull down the veils and allow sovereign power to
prevail over hierarchical power (P2 “The Shifting Models of Existence”).
We can observe, as before mentioned, the exact colors of humanity, the new HIs/SEs, who
with assistance from SI red, are breaking through the threadbare fabric of the no longer effective GM
of the H at bottom right (fig. 1 and fig. 6).
According to the G notes the GM is transformed due to the eventual ubiquitous presence of
OLIN technology, which will “introduce a meta-language that translates both real-time written and
spoken applications”, thus revolutionizing the GM’s global construct. Skype (see www.skype.com) is
Page 38 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
a recent development and precursor. Later it will “create multi-dimensional content that carries its
viewer-participant into new corridors of understanding and illumination.” Thus the GM fragments,
transforms itself – into the brown cocoon in fig. 1 -- and finally will “become the leader of
transformation for entities upon terra-earth instead of its barrier force” (G OLIN). This new GM
nourished by Source is vastly more capable than the old. Once it is established higher knowledge
will be pretty much on tap:
“The genetic mind – as the repository of information defined by the species – operates
independent of horizontal time flows and can provide quantum leaps in knowledge if its higher
dimensional information packets are accessed.” Lyricus, “P and M.” [http://www.lyricus.org].
Conclusion
Chamber 1 Painting presents, from the WingMakers and Lyricus philosophical perspective,
an orientation and overview of where we are as a species right now and our destined future
collectively as a species in terms of personal, soul, and scientific development. It portends an
epochal freedom and development, illustrating the time when the “human species has evolved to
become a soul carrier capable of cosmological exploration” (James “SvIg”).
This paper has shown that the post-modern mythographic Chamber 1 Painting represents
the mythological transforming of the GM and collective humanity, where humanity is defined as the
HI, GM, and human soul composite (James, Lyricus: “Teachers, Q&A 13”). The three aspects of the
HI are represented as three colorful areas within the cocoon: lime green being the biological and
body; red the feelings and emotions; and blue/violet the mind, or mental processes. They exist in
coherence with the central light blue soul and brown sheath or border, of GM. The GM is the brown
areas. The human soul, individuated consciousness/spirit, or WN is the light blue central cell within
the cocoon. The red within the light blue soul is the Source Vibration.
The transforming is accompanied by, or at the behest of, the light streak of UIS energy and
its attendant red SI frequency. As is often the case in the WingMakers’ paintings, the three primary
elements of Source are represented by the three primary colors: SR yellow; FS blue; and SI red; the
color characteristics, of course, echoing the respective Source characteristics (see Part 1; Lock
2003).
It is possible to view the painting on three different “cell” levels – molecular, personal, and
planetary. The one most evocative of the WingMakers’ philosophy that comprehensively and
accurately echoes the painting’s many details is the interpretation of the central cell as the collective
Page 39 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
soul, or individuated consciousness of humanity, in coherence with the collective planetary HI and
its triune biological body, feelings/emotions, and mind/thought. They are collective because
humanity has finally become one, with the same values and scientific understanding and experience
of Source. The HI in Chamber 1 Painting is therefore both singular and collective.
The glyphs, which in WingMakers’ paintings are generally revelations from ATI, in this
painting are imperfect revelations from a H and GM that has only a hair-breadth contact with Source,
and thus makes a poor deliverer of ATI content. The actual message within the glyphs informs of the
ineffectual survival mode and saviorship model of existence that humanity in the painting is rapidly
outgrowing and discarding, as humanity makes its own direct soul or spirit contact with Source. The
glyphs here express in summation the H’s teachings and methodologies up to the present and
possibly the time of the discovery of the GP or even slightly post-GP.
The painting also depicts humanity evolving from the survival/saviorship model of
existence into the transformational/mastership model of existence.
The transforming of GM and humanity seems to be occurring within the approximate time
period AD 1996 – 2780, and the likely time shown in the painting appears to be either the time of the
discovery of the GP around 2080 or sometime later in the early post-GP period.
This interpretation and especially the title are merely suggestions for consideration.
Possibilities abound. Other possible titles coming to mind are: “Cellular Structure of First Source”;
“Descent of the UIS”; “Mastering Mobilization of the Exploration Model”; “Mastering Motor Skills
of the Transformation Model”; “Evolving From the Saviorship Model to the Mastership Model”;
“Evolving From Survival Mode to Transformation Mode”; “The Aligning of Humanity With Source
Vibration”; “Humanity’s Alignment With Source Vibration.” The reader and viewer is encouraged to
find his or her own interpretation and title.
Music, and Possible Areas for Therapeutic Research
It might be interesting to see if displaying this picture in the environments of people
immobilized with diseases of dependency, alcoholism, affective disorder and depression would be of
some assistance to them. Perhaps any possible help from the painting might be increased if looked at
while listening to the music of WingMakers: Chamber 10 CD representing the light blue inner cell of
the soul or WN in Chamber 1 Painting; and/or, WingMakers: Hakomi 4-6 CD representing the
“Coherence of the Evolutionary Consciousness” -- the cocoon and all within it. Similarly track one
on the FS CD from chamber one might prove interesting to research in this regard.
Track one from chamber one has sounds of water softly lapping against the shore, and
sounds of thunder. Both of these natural images are powerful multi-layered mythic images and
Page 40 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
symbols. The former representing the setting out for another land or an adventurous journey, and
similarly arriving back home after an external excursion; the latter representing transformation itself
as the Thunderous Silence (see Lock 2004) and its accompanying lightning as the dispeller of
darkness and sudden enlightenment. 12 Lightning, of course, can be seen as represented in the streak
of UIS in the top right corner of Chamber 1 Painting. As they may relate to chamber one painting,
the water – a symbol of spirit since antiquity – is FS gently lapping against the shore of GM. It is
from this shore that humanity sets sail into the cosmic ocean, and finally arrives home with its
Creator. On another mythic level it is the fulfillment of the Prodigal Son parable. The chamber one
music also gives expression to an undeniable celebrative atmosphere of freedom with its primal
tribal-like chants.
Somewhat echoing this music is track six from chamber six also on FS CD. This is not
surprising since Chamber 6 Painting presents a central HI as an individual transformed into the SE.
The central SE’s cyclic ATI/FS communication standing out from the cosmological backdrop finds
its parallel in the music with the recurring cyclic scale of notes standing out from the backdrop of the
musical composition. Chamber 1 Painting represents the individual in transformation too, but here
as a collective global humanity constituting a cell of FS, according to the WingMakers’/Lyricus
philosophy.
The Penn State Milton S. Hershey CMT study cited in this paper showed that “[d]efects in
chromosomes 1 and 17 affect the myelin sheath and cause the nerve impulses to travel more slowly
than is normal.” The free-flowing energies are interrupted or impaired to some degree. We see,
however, in both Chamber 1 Painting and Chamber 17 Painting completely free-flowing
unobstructed energy systems that incorporate the human nervous system. Both paintings share
transformational subject matter (Part 2; Lock 2004): one of collective humanity, the other of the
individual.
Listening to the two CDs WingMakers: Chamber 10 and Hakomi 4-6: WingMakers while
investigating the painting seemed to put me in the mood of the painting and perhaps helped trigger
some understanding. The painting seemed to draw me to listen to them, although this was largely
after realizing the relevance of the Hakomi “Coherence of the Evolutionary Consciousness”
information on the wingmakers.com website. So that was initially a natural reaction. However I did
feel the music very much in tune with what I was finding within, and what was coming to me from,
the painting.
If you read this paper again, you might like reading it while listening to one of these CDs. It
may enhance appreciation or comprehension of the painting and the transforming of GM and
humanity, as the WingMakers perceive it.
Page 41 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Notes
1 For a computer image of the AA structure spiral, or helix, see link:
[http://www.wingmakers.com/ancientarrowsite.html].
2 Chamber 1 Painting is chamber painting 6 on the First Source CD. Others are also enumerated
differently on the CD.
3 The WingMakers Glossary is available as a free download at link:
[http://wingmakers.com/downloads/philgloss.pdf].
4 Answer to question 72 to James. See link: [http://www.wingmakers.com/answersfrom james.html].
5 See link: [http://wingmakers.com/glossary.html].
6 See note 2.
7 See link: [http://wingmakers.com/music-hakomi4-6.html] and jpeg: [http://
wingmakers.com/images/coherenceofevolutionaryconsciousness.jpg].
8 [http://www.wingmakers.com/images/anatomydiagram.jpg].
9 [http://www.hmc.psu.edu/childrens/healthinfo/c/cmt.htm]. Sep. 9, 2004.
10 The prints available are: free online version at [www.wingmakers.com/paintings.html]; FSCD version;
Collector’s Edition print; Museum grade poster-size print.
11 See Part 1 “The vagina/eye shaped area between the two transmissions…portal” (Arai, Lock 11; Lock
2003 21).
12 The Thunderous Silence may not always accompany transformation. This is the way for
some, and how the author experienced it. Others experience it differently. For some it is said to be
preceded by a clear tinkling of bells, that can also be heard on this CD track. Still others experience the
process more gradually, over years.
Acknowledgments
The author would like to express his sincere thanks and gratitude to the following two
individuals: Mark Hempel for his assistance and efforts in seeing this paper go online,
for his constructive advice, invaluable reviewing, and especially his quality graphics
and skillful publishing contribution that have made this paper available online; and the
enigmatic “James” for making this remarkable exploration possible.
Page 42 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
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Chamber 1 Painting
Suggested Painting Title:
“The Transforming of Genetic Mind and Humanity.”
Page 9 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Fig． 2． Chamber 1 Painting Detail from FSCD. 6
Interpretation and Meanings
This painting shows the transforming Genetic Mind (GM ) and a new humanity cocooned in
a brown border, casing, sheath or skin. Humanity is: a) breaking away from the old, heavy, worn-out,
Page 10 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
“fundamental misconceptions” (G GM ) of the GM below it that no longer assist the higher
evolutionary development of humanity, for humanity has, in this painting, evolved on; and b)
cocooned in a new more highly evolved, less dense, sheath of GM that is itself nourished directly by
First Source (FS) -- the deep “universal blue” background or backdrop for the painting (Part 1; Lock
2003). A source of this nourishment is via the streak of light in the top right of the painting that
represents what the WingMakers and Lyricus philosophy calls the Underivative Information
Structures (UIS) with its attendant Source Intelligence (SI) red frequency (Part 1; Lock 2003)
charging the transforming GM.
The UIS
The UIS are not physical structures, but a primary field of vibration or quantum primacy
across all dimensions of space. An adjacent philosophy and website to the WingMakers is Lyricus
(link: http://lyricus.org). In the WingMakers philosophy Lyricus is regarded as a subset of the
WingMakers with most of its members from the WingMakers or Central Race. The Lyricus material
states that Lyricus exports these non-material genetic “templates of life” (UIS). James, the translator
of the original WingMakers and Lyricus material, says they are:
…sub-quantum and represent the primary blueprint for living systems and inorganic matter. It
is UIS that gives rise to the quantum fields that interpenetrate planets, stars, galaxies, and the
universe at large. It is the communication field of life that connects the nonlocal and the local,
the individual and the collective, the one and the infinite (James, Lyricus: “Templates of Life”).
As mentioned in the “Templates of Life” when discussing the master templates that
“interface between each field of vibration”, the UIS, master templates, and energetic systems arising
from it “are constantly in an interactive process of communication.” This communication “informs
the evolutionary design of a species, organism, or material object -- whether organic or inorganic”
(James “Templ. of Life”).
We see, on close examination of the light blue streak “charging” or infusing the new GM
(fig. 3), a thread of red SI weaving or spiraling through it confirming this is the UIS. We know this
because the “interactive process” cited above “of the energetic systems” is:
…monitored by a frequency of UIS that is called Source Intelligence [emphasis mine] or the
Universal Spirit Intelligence. This frequency absorbs, filters, and processes the communication
between the fields of vibration and distills them into packets of information suitable for utilization
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by First Source.
Fig. 3. The Underivative Information Structures (UIS), and portal link to GM.
Color copy from Collector’s Edition print. Permission Mark Hempel.
This is the manner in which the interactions between all dimensions of existence are brought
into coherence and applicability to the formation of new worlds, species, and dimensional
constructs. This is the conduit in which the multiverse evolves and all life within it advances into
higher dimensional expressions (James, “Templ. of Life”).
This is a perfect description of what we are seeing in the upper right hand corner of Chamber
1 Painting in which red SI (Part 1; Lock 2003) is absorbing, filtering and processing the
Page 12 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
communication between the new GM – the brown outer casing, cocoon or sheath -- and humanity,
and distilling this “into packets of information suitable for utilization by First Source.” FS is the
deep cosmic blue (Part 1; Lock 2003) behind the UIS streak. At intervals all along the spiraling
length of the UIS we see them sending smaller streaks or feelers of energy or “packets of
information” into the vast FS blue ocean of cosmic consciousness that constitutes the backdrop of
the painting. According to the WingMakers’ philosophy it is via this UIS conduit that the GM and
humanity evolve, and it is by which, or how, we can observe the transforming of the GM and
humanity occurring within the painting. A whiter edge to the GM casing can be seen where the UIS
and GM meet. This inflowing energy via UIS enables the old, heavy portion of the brown GM full of
misconceptions to fall away, and for humanity, the GM, and thereby Earth, to advance into a higher
level of expression.
These Underivative Information Structures (UIS) depicted as the light blue streak entwined
with a frequency of SI in the painting provide:
…the structure behind the quantum fields and energetic systems that yield form and the
living systems that support form. The soul carrier is an outcome of the master template that is
energetically distributed to life-bearing planets upon the multiverse vehicle of UIS. This template,
which creates and interacts with the morphogenetic field of the soul, defines the soul carriers’
limits of functionality and expression – but only in the flow of time (James “Templ. of Life”).
So this vehicular light blue streak with its SI thread that we see in the top right hand corner of
the painting, structures, for the WingMakers, the energy systems and quantum fields that create the
living system. We see too, that the UIS is intimately related to human beings or HIs, as soul carriers,
and “creates and interacts with” the/our “morphogenic field of soul.”
This in turn implies that the soul is represented by a sympathetic color at the core of
humanity, which will make it the light blue nucleus of the cell-like cocoon in Chamber 1 Painting.
Confirming this suggestion is James’ statement, “The soul is attuned to UIS and operates therein
because this is the vibratory field that is native to its essence” (“The Presence of Soul”). Color is
nothing more than a vibratory frequency or field, so if the UIS and soul have the same vibratory
frequency they will certainly have the same vibratory coloration: i.e. a light blue. (See below for
more.)
The Transforming Process
These UIS even hint perhaps at a possible time for the process in expression in Chamber 1
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Painting. Under the heading “Developmental Shifts” in the Lyricus material four stages of
developmental shifts that sequentially precede the Grand Portal (GP) are outlined. At the end of the
fourth shift around the time of the discovery of the GP -- around 2080 according to the Lyricus
material -- “the energy of the UIS and the virtual structures of the master template begin to ‘descend’
within the planetary dimension of time and space – attracted by the shifting consciousness of the
species” (James “Purpose”). It is difficult to say we are specifically looking at the depiction of a
presumed future of around 2080, because, although the templates descend at that time they remain.
Therefore we could also be looking at a time after the discovery of the GP.
(See Timing of Transformation below.)
Of course, “[a]s a greater percentage of the species embody their soul consciousness, it
becomes easier for the remaining members to do so as well” (James “Lyricus: Presence of Soul”).
When these remaining members do so we are looking at the transformation of humanity as a whole.
However, the WingMakers say this will not happen suddenly with the Earth moving into some kind
of instant ascension. As James clarified in “Sovereign Integral”:
This transformation is not occurring as broadly as some suggest. It is limited to the human
instrument of a small percentage of the overall human population. I am aware that there are
reports alleging that the earth, as a whole, is undergoing nothing short of a global transmutation,
but it is not the case.
Transformation occurs one individual at a time, at the request of the individual. It is not
orchestrated for all life forms simultaneously because this would require a cessation of freewill.
Again, in “Lyricus: Teachers Q&A 12” James says:
The mission of Lyricus is not an event of transformation brought from a Holy or Divine
source. It is the unfolding process of humanity discovering its fundamental identity and its
relationship with the multidimensional universe.
Obviously time is required for an entire species to transform in this way. It occurs “[a]s more
and more individuals call forth the Wholeness Navigator [soul, individuated spirit/Source vibration]
and subsequently alter the function of their human instrument.” This makes it easier for others
incarnating “to embody the unification vibration within their human instrument.” And it is “part of
the divine blueprint for the evolution of the human species as a soul carrier capable of cosmological
exploration” (James “Sovereign Integral”).
Page 14 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
This transforming process we are witnessing in Chamber 1 Painting is referred to in P4 as a
movement “from a survival – based energy system to an explorer-based energy system.” Indeed the
cocooned earth/humanity in this painting is about to drift away and sail into the cosmic-blue ocean
of FS as humanity finds its rightful place as an exploratory race within the universe; and it will be
shown the glyphs in this painting collectively express ineffective aspects of the survival or
saviorship energy system that humanity is now rapidly outgrowing, and in the painting, finally
leaving behind forever.
While Chamber 1 Painting may be a transforming process beginning around 2080 with the
discovery of the GP, the painting could also be said, naturally enough, being the first painting in the
series, to represent our orientation, giving from the WingMakers’ viewpoint, a planetary overview of
our situation and where we as a collective humanity are heading from 1996 onwards. For the
WingMakers G states that from 1996 – 2016:
…the genetic mind will become increasingly fragmented and thus, vulnerable to
modification. This will be an effect of the growing ubiquity of intelligent networks and artificial
intelligence therein. The expanding interconnection of intelligent networks has a significant
impact on the genetic mind because of the emergence of a global culture that accompanies the
arrival of such technologies (“Genetic Mind”).
Whether this increasing fragmentation fully materializes in the 1996 – 2016 time frame
remains to be seen, of course, though it can be said to have already begun (see FitzGerald below).
GM, All That Is (ATI) and Chamber 1 Painting Glyphs
The GM in Chamber 1 Painting is indicated, as mentioned before, by the brown shapes,
which in this painting represent “the soil of genetic memory” (G&P2). The largest brown shape at
the bottom and its glyph-filled shape represent the imperfect knowledge, teaching and belief systems
filtering down to humanity after the knowledge of ATI has been strained through the thick filter of
the Hierarchy (H) leaving the essence behind and beyond humanity’s experience.
Part 1 (Arai and Lock 9-10; Lock 2003) revealed that glyphs on these Light-bands in
WingMakers’ paintings represent knowledge from ATI. James, the original supplier of all
WingMakers’ material to website manager Mark Hempel, in answer to a question I put to him on the
paintings answered that some of the symbols and imagery in them are the same as those in the GM
due to their “universality and pre-existent states of geometry” and the “imagery of All That Is is
codified into a higher dimensional language, which in turn is encoded into the original works” (Q&A
Page 15 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
64).
In this painting however, the glyphs are kept separated or totally divorced from the cocooned
planetary humanity and have a deep black boundary or barrier surrounding them, strongly implying
these glyphs or “revelations” are of the H and have been very ineffective guidance, revelations or
religious teaching. This has resulted in humanity at large having had no clear comprehension of what
lies beyond the H’s belief systems or rituals. These glyphs entrapped within the soil of the GM are
virtually useless abstractions from ATI. Surrounded in black they lack any coherent connection to
FS; and the portal to FS’s domain floating on the far mid-right of the painting appears to be either
gently assisting in pulling away this no longer necessary portion of GM, or expressing the extremely
tenuous link the GM has to the small portal which is dwarfed by the GM’s ponderous structure.
Illustrating this in the Collector’s Edition and “museum grade” prints is a faint hair-breadth light
blue line linking the portal with the very top point of this heavy section of the GM at the very point
of fracture from where it is falling, or being pulled away. (See fig.3.)
The knowledge and information represented in this glyph-filled area has a very different feel
to it than its counterparts in almost, if not all, the other paintings. Here the figures all seem upside
down or in a state of fall or struggle. This glyph-filled shape is turned on end as a graphic on the
website giving the glyphs an even greater sense of falling. Perhaps James gave this as a clue. In fig.
1 these glyphs are lying down at the bottom of the picture in a somewhat chaotic and disorderly state.
Moreover, some of the characters or glyphs are -- and this is a very rare feature of the WingMakers’
paintings -- cut in half or incomplete showing the half-truths, ineffective or incomplete knowledge
and beliefs that have been filtered down to humanity, via the GM, by the H (G&P).
Two website composite computer graphics (CG) images exist showing a part of this
set of glyphs with the titles “grandportal” and “portalelement” (fig. 4 and fig. 5). It could be argued
that qualities represented by these glyphs are then either necessary for, or result from, the discovery
of the GP, thus conveying upon them more positive evolving characteristics. In my opinion if the
glyphs in these jpegs have meanings, they may represent the necessary beginnings of contact with
ATI in order to develop the GP. This glyph area is one that has been used separately as a CG vertical
image since the inception of the www.wingmakers.com website in 1998. It could be its waisted
shape that makes it useful for the CG artwork James has wanted to present; and on the original
website it was a vertically represented CG further enhancing its falling qualities, just as in fig. 4 and
fig. 5. It is possible to read too much literally into the composite CG works.
Page 16 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Fig. 4. “Grand Portal.” James.
They are fundamentally different from the chamber paintings themselves as artworks. They
are James more lyrical, poetic creations and occasionally may carry, rather than specific meanings, a
more personal, subjective artistic expression accompanying a cogent philosophical dictum, insightful
aphorism or statement from the WingMakers’ philosophy, or an aspect of reality, feeling, being etc.
At other times they may just be fictional works to add image to the myth (e.g. image of 15).
It appears to me, that each of the compositional elements in these two CG images reads in
basic terms only, and is then combined into a CG artwork: wings do not represent real wings, but
mythical, transformational wings and those “received” with the discovery of the GP; the DNA bands
and the global world illustrate the global eye/portal and global scientific and spiritual vision
necessary for the discovery, of the GP; the biogenetic DNA, world and global electronic science
images show that global advances in these fields will lead to the GP’s development for the entire
world; the glyphs show that contact with ATI will also play a central part in the discovery. The
specific glyphs in the CGs may have no more meaning than the specific writing on early twentieth
century collages and synthetic cubist works, which basically represented general printed characters
as an artistic expressional image contrasting with the more formal artistic colored and shaped areas
of the artwork. Here they add the human element illustrating humanity’s fledgling contact with ATI.
Page 17 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Fig. 5. “Portal Element.” James.
A look at the glyphs on the lower portion of the GM in fig. 1 and fig. 6 reveals them to be the
old tools of a H and GM that have proven woefully inadequate over the ages for providing proof or
actual experience of Source.
An Interpretation of the Glyphs
The far right glyph appears to show a human with four herringbone bars and one spot situated
at the heart region probably denoting the heart and emotion. In Chamber 6 Painting it was shown
(Part 1; Lock 2003) that five bars across a similar figure represented the five-sensed HI. The four
bars could well represent matter, energy, space and time, the glyph denoting a being immersed
within MEST -- as these four are referred to in the WingMakers/Lyricus philosophy. The four bars
could also represent the HI attempts at ”coherence of evolutionary consciousness”, the four being the
four aspects of the HI: body, mind, heart, and human soul (see “Coherence of evolutionary
Consciousness” Fig. 1. 7); or alternatively, the four HI aspects of physical body, emotions and
feelings, mind and thinking, and GM (see “Anatomy of the Individuated Consciousness” jpeg 8).
Could the four bars perhaps even denote ‘imbalance’ and four senses only -- meaning it is spiritually
blind or deaf? What can be more clearly stated is that even the best heart-felt attempts of those
immersed in MEST when put into the belief systems of the Hierarchy have very rarely resulted in
contact or union with Source – and if and when this has occurred such experiences have initially
been virtually totally ignored or denounced. Koch has four straight bars across a vertical line
showing the “soul’s pilgrimage through life…to its purification and [that it] wins through from
Page 18 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
darkness into light” (94). However, beyond these bars the direction line through the head leads to a
dead end, indicating to me a possible limit to progress. Further, Koch has four upward angled cross
bars – just as in this glyph -- forming an ear of oats (80), perhaps indicating the Human Instrument
(HI) stuck at the “survival level of existence” (G&P) in a cycle of merely working to eat.
Amerindians of the SW also used this chevron glyph, though usually reversed, for corn or corn stalks
(Patterson 58; Awatsu et al 032). Corn was a survival crop; but, also indicative of life. It might also
then mean the unfulfilled upward aspirations of the HI.
The glyph appears to indicate an emotional heart-felt reaching up to a higher life, but its way
beyond looks barred. Here the glyph area tapers to an end, cramping, and closing off any further
journeying for the aspirant.
Fig. 6. Chamber 1 Painting glyphs. Collector’s Edition copy.
The glyph left of this one is cut in half, incomplete, and so tells us nothing really helpful.
The next left, the long squiggle glyph – actually a three dimensional spiral helix -- with a
head and circle at the end having just a solitary dot at one curve is a severely incomplete form, or
variant of, the Source Codes (SC) glyph (Part 1; Lock 2003). They are shown in full on the Dagger
in Chamber 17 Painting where they indicate SCs activated within the HI (Part 2; Lock 2004). SC are
essential for awakening the HI to evolve into the Sovereign Entity (SE). So in this painting there is,
in this lower glyph area, as there has been throughout history, little chance of humanity’s awakening
to evolve in consciousness. The SC have remained inactivated, thereby preventing the HI from
directly experiencing Source.
Above this are two glyphs: one looks upside down or capped and restricted; the
other dissected making it meaningless.
Page 19 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
SECU, Patriarch, Dragonfly, and Para Vach Glyphs
Following these two, still moving left, is a double cross glyph with a head. For
many Native Americans the straight double-crossed bar represented the star, especially Venus
meaning “guidance” (Indian Heritage inside cover), and due to influences from the south, the
teacher and guide Quetzalcoatl (Ortiz 61-61 qtd in Patterson 191).
The double cross with the lower bar longest, as in fig. 1 and fig. 6, has the two similar
meanings of “archbishops” according to Chevalier and Gheerbrant (CG 252) and “patriarchs” for
Kock (16) and Jeff Nisbet (Atlantis Rising 67), and when raised on stands, “Archangelical crosses”
(Kock 21).
Fig. 7. “Anasazi”. James.
The papal cross is the triple cross. In fig. 1 the cross appears fallen, suggesting, fallen or
misguided hierarchy figures (see FitzGerald below). It notably has one bar “crooked” – indicating
“not straightforward,” “deviating from uprightness of character or conduct” and possibly “dishonest”
(“crooked”). Though somewhat dissimilar to this glyph, two bars of equal length indicate a
poisonous botanical substance (Kock 64).
The vertical line with two horizontal bars is, interestingly enough, the ancient Linear B and
Linear A syllable phonetically pronounced “pa” (Robinson 100; Pope 171). The “pa” character is
Page 20 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
also combined with a vertical line and three horizontals transliterating to “pa-te”, or in Mycenaean
and Classic Greek “pater” meaning “father”. It is also the first syllable of the Linear B transliteration
“pa-ma-ko” from which is derived our “pharmacy” and “medicine” (www.
ancientscripts.com/linearb.html). James has said that the WingMakers’ glyphs generally are closer to
Senzar than ancient scripts like Linear A or B. Nevertheless, these “pa” characters present an
interesting parallel in writing, sound, and meaning to the WingMakers’ Para Vach glyph that looks to
be more than chance alone.
There are 60 common, 87 in total, Linear B signs making the odds on this glyph having the
same phonetic as “pa” in Para Vach 1 in 60 – 87 from this alphabet alone. The odds on the exact
same glyph having the exact same phonetic, and frequent similar patriarchal meaning taking into
consideration all the possible combinations of letters, characters and glyphs in the world’s languages
would be many thousands to one, though I haven’t checked for its occurrence in all other
non-modern languages, and we do not know the home-world phonetic sound of the WingMakers’
Para Vach glyph, more details of which follow below. While etymological connections and
comparisons alone often offer nothing conclusive and are mere speculation there is a hint of some
connection between the Linear B “pa” and the “pa” of para vach. WingMakers researchers and
speculators might ponder whether its ancient usage suggests a universal root language syllable or
phonetic, although it seems almost certain due to the WingMakers frequent use of ideographic
glyphs that their characters do not par se represent a phonetic alphabet, like Linear A or B for
example.
This double-cross glyph, in fig. 1 and fig. 6, is also almost identical to the Native American
rock art glyph for the dragonfly, which usually has the upper horizontal longer and the lower shorter
(Patterson 85). In addition, the Native American dragonfly glyph often has the small round head.
Examples of Native American dragonfly glyphs with the two horizontals almost equal exist on actual
kiva murals in Awatovi and Kawaika-a in Arizona (Smith 218-20). Patterson (85) reports the
dragonfly and its glyph are “most often portrayed on alters, pottery, and petroglyphs, possibly
because they are shamanistic creatures” (Parsons 250; Wright 151-2), and have “supernatural
powers” (Benedict v. ll, 9; Wright 151-2). The dragonfly itself is a positive sign of water, fertility
and abundance (Harris, R. 45).
Page 21 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Fig. 8. “SECU.” James Fig. 9. “Para Vach.” James.
In his Atlantis Rising article “The Further Mysteries of Rosslyn Chapel” Jeff Nisbet cites
Boyd Rice (“Dagobert’s Revenge”) in presenting other meanings of the European double cross,
namely: the union of opposites; the intersection of creative force and destructive force; the union of
male and female principles; and as above so below. It was included within “the Royal Art of
hermeticism – a tradition which according to legend was passed down to man by a race of fallen
angels.” When the “ancient hermetic text Corpus Hermeticism was first published in
French…dedicated to Mary of Guise…[she] adopted the [double equal-armed] Lorrain Cross as a
personal symbol”(Atlantis Rising 66). The shortened upper bar is thought to have been created as a
way of bringing the hermetic cross into Christian orthodoxy, the upper bar becoming a reference to
the INRI inscribed crucifixion board affixed to the cross by order of Pontius Pilate. Nisbet’s Rosslyn
ceiling cross is a perhaps curious – for Europe -- reversed version with the upper arm longest (see
illus. Atlantis Rising 40; Herder 50).
We see here a cross-cultural spiritual usage of this glyph as an image representing spiritual
leaders in the form of the occidental archbishop and patriarch, and the Native American shaman,
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noting that the short and long horizontal bars are usually reversed in their respective European and
American settings. Either way the glyph suggests spiritual leaders or principals associated with
teaching or guidance systems.
Three online composite computer graphic (CG) images contain this glyph, two of them the
same glyph from the same source with the top bar longer and the bottom shorter as in the Native
American dragonfly image. The three images (see fig. 7, fig. 8 and fig. 9) are of an Anasazi as a
SECU, the second a SECU (Sovereign Entity of the Central Universe), and the third presumably a
representation of Para Vach, or a Teacher of the Lyricus Order that is the “subset of the
WingMakers” whose “teachers assembled the [WingMakers’] materials and have exported them
Fig. 10. SECU, or dragonfly glyph (top). Fig. 11. Para Vach glyph. Chamber 2
Chamber 22 Painting. Collector’s Edition print. Painting. Collector’s Edition print.
to…planets like Earth” (James Q&A 47) (see www.lyricus.org). The first two at least (fig. 7 and fig.
8), obviously represent teachers, guides, or SECUs. Their “Anasazi” SECU dragonfly image and
“SECU” image are taken from the bottom right corner of Chamber 22 Painting (see fig. 10).
The Para Vach glyph (fig. 9) is a longer bodied, curving upper bar/arms variation taken from
Chamber 2 Painting where it stands above three horizontal bars (see fig. 11). It is almost certain this
latter variation means the same as its CG title: “Para Vach”; here lying beyond the triune human
instrumentation of body, emotions, and mind; and beyond these three corresponding aspects
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comprising the WingMakers; and beyond the three primary vibratory levels of DNA/molecular,
sub-atomic, and sub-photonic (see fig. 12). Notably the bottom bar is at the heart region in fig. 9
indicating the way for the HI to experience Para Vach is from the heart.
The ‘Para’ of Para Vach: means “beyond”, and according to Puruker, in his The
Occult Glossary ‘Vach’ “may be said to be the feminine or vehicular aspect of the Logos, or the
power of the Logos when enshrined within its vehicle or sheath of action.” Para Vach then is that
which lies beyond the logos enshrined within the human form. In WingMakers/Lyricus terminology
it corresponds to FS, that lies beyond the Wholeness Navigator (WN ) or human soul (see bottom of
fig. 12). Para Vach is “an outlet for First Source’s expression of Sound and Light” (James,
“Coherence of Evolutionary Consciousness.” Hakomi 4-6 ). A longer definition by James:
Para Vach is the primordial, causal Sound and Light that transcends both manifestation and
non-manifestation. It is the Breath of First Source beyond the cosmos that creates, vitalizes, and
sets in motion the vibratory substance of matter. It transcends the manifestation of light and sound
even as it exists in its most pure and luminous state (http:// wingmakers.com/music-hakomi4-6).
Page 24 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
Fig. 12. “Hierarchy of Vibrations.” James.
The SECU, dragonfly, patriarch glyph can be found again in the website Chamber 21
Painting (fig.13), and a double bar, three-dimensional cross glyph in the upper left corner of
Chamber 22 Painting (fig. 14). There is yet another version of the SECU, dragonfly, Para Vach
glyph on the WingMakers: Hakomi 4-6 CD back sleeve, on the figure’s forehead (fig. 15), and a
smaller version of Para Vach from Chamber 2 Painting on the CD frontispiece.
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Fig. 13. SECU, dragonfly glyph. Fig. 14. Double bar, 3D cross.
Website Chamber 21 Painting. Chamber 22 Painting. Coll. Ed.
Fig. 15. WingMakers: Hakomi 4-6. CD. Back cover.
The WingMakers and Lyricus pure dragonfly glyph then represents a SECU as an
enlightened guide or teacher; and the curvilinear variant, Para Vach glyph in Chamber 2 Painting,
appears clearly to be a, or the, WingMakers and Lyricus glyph for FS with Para Vach connotations.
Chamber 1 Painting Glyphs Continued
Returning to the glyphs in Chamber 1 Painting: The last two glyphs on the far left in fig. 1
and fig. 6 are again cropped, though presumably what is visible is by far the greater portion. The
main section of the bottom glyph with a pointed top and two cross bars echoes Koch’s glyph for
“iron” (69); which is also a symbol for protection against evil spirits (CG 573) – arguably a
disempowering and fear-breeding manipulative precept of so many H systems that again divorces the
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HI from FS. The whole glyph, however could possibly have a different meaning.
Above this, the final glyph is a man holding a large clockwise spiral up into the
air. In Cunkie’s Talking Pots: Deciphering the Symbols of a Prehistoric People the clockwise spiral
denotes ascension. Bealaura says that in the Celtic tradition it “represents the emerging, growing,
material manifestation of energy” and that which would “send energy into the environment” (Celtic
Circles, David). Significantly Gary David in his online “Spiralgate” on mythology and images of the
Southwest Amerindians shows the Hopi, who are descendants of the Anasazi, used the clockwise
spiral (fig. 16), like this one, on their coil baskets to “symbolize the path we take in life’s journey”
and adversities on its path. (David illus. 5; Lock 2004 24).
There is an Anasazi petroglyph in “The Valley of Fire” showing a man holding something in
his right hand connected to a spiral (Ancient America). The famous Fremont style petroglyph from
Dinosaur National Monument, Utah, shows a “heroic figure”, possibly a shaman, mythological
figure, or supernatural anthropomorph with a radiating spiral in his right hand (Cole 186-91; Awatsu
et al 060-061). Dated for the period AD 500-AD 1400 (Welsh 12) it comes almost centrally within
the alleged time period of the WingMakers’ paintings of AD 800.
The spiral for Native Americans most popularly signifies migrations, journeys and travels,
especially to the center of being. A spiral with a person often indicates the person’s or tribe’s
wanderings or migration toward the new home. The beginning glyph in Chamber 1 Painting then
suggests the embarkation onto a journey or quest.
While scholars contest the meanings of spirals the glyphic figure holding the spiral in fig. 1
and fig. 6 certainly appears active and outgoing. It might not be amiss therefore to read it as
representing the enthusiasm and zeal of the initiate embarking on the quest, or perhaps the fervor of
the missionary seeking converts in society. It certainly expresses the feeling of outgoing zeal,
enthusiasm and anticipation of the quest’s fulfillment.
Fig. 16 - “Boo-da.” Enhanced by Lock.
(David “The Arc of the Covenant”; Hopi “Techqua Ikachi” # 21).
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A Tentative Interpretation of the Set of Glyphs
A tentative interpretation then of the whole set of glyphs can be given: The HI with
enthusiasm and desire for consciousness evolution sets out on the quest only to be manipulated by
fear, met by misguided or misinformed peers who cannot assist or lead to awakening of the SC, and
thus the HI spiritually stagnates with nothing to offer but his or her heart-felt zeal and enthusiasm. If
this is correct it presents a sad but accurate picture of humanity’s path to date under the hierarchical
structures of the ages, and the ineffective Source-divorced GM constructs that have been utilized.
However, humanity is becoming painfully aware that without radical transforming the H’s belief
systems and methodology no longer serve it on its path forward; and of the H’s too frequent
“deviating from uprightness of character or conduct” shown by the crooked patriarchal bar in the
painting’s ‘teacher’ glyph.
To cite just one example, perhaps a 2002 prelude to this coming freedom from a fallen H is
seen in the international newspaper article “A Woman’s Place is Behind the Alter” revealing the
horrendous scandals of pervasive chronic abuse by catholic priests, and the many sisters now
working to end the blatant discrimination in work, chores, and office by male priests (FitzGerald 7).
In fig. 1 these artificially constructed survival modes and imperfect knowledge and
information systems are seen falling away together with the mass of “fundamental misconceptions”
(G GM ), false beliefs, and concepts of the GM as humanity comes of age and contacts Source itself.
GM and Humanity Transforming
The orange-red, green/yellow, and blue colors representing the transforming HI and
humanity in this painting are, on the right hand side of the painting, already seeping through –
breaking through -- the threadbare brown fabric of the worn out, useless H aspects, and outdated GM
constructs, that are, at the time expressed in the painting, fracturing off and being left forever behind.
The WingMakers’ material says that Sovereign Entities (SE) incarnating are destined to tear down
these misconceptions.
The hold exerted by the heavy bottom mass of GM on humanity is, in Chamber 1 Painting,
virtually broken and gone. We see that the interpretation given above for this line of glyphs basically
expresses the extraordinary limiting potential, at the time expressed in the painting, of the saviorship
model that has been propagated and promulgated by the hierarchy for millennia. The very word
“propaganda” has its etymological roots in a committee of Roman Catholic Church cardinals
founded in 1622 as the Congregation of the Propaganda, College of the Propaganda. We are, in
Chamber 1 Painting, seeing this no-longer-fruitful propagandized saviorship model finally falling
away. When the upper brown cell finally breaks away from this mass – as it is in the process of
Page 28 - © 2005 Christopher Lock and WingMakers LLC, All Rights Reserved
doing in this painting -- a new humanity will have developed and evolved in consciousness; and it
will be aided by a transformed, FS-nourished cocoon or sheath of a new transformed GM that finally
proves an excellent servant to mankind (G&P). We see this new GM cocoon in the top left
surrounded on both sides by blue FS frequencies. The lighter shade of blue is a near mix of the
UIS/soul blue and darker FS blue (more on light blue below). The GM cocoon is finally, in the
painting, nourished, and nourishing, as a true teacher and leader of a transformed humanity.
This cocoon looks very much to be a cell with its undulating border casing and central
nucleus, and a few WingMakers forum members have already alluded to this. The Lyricus material
(see www.lyricus.org) concerning the various planetary species states, “Collectively, these species
represent the cellular structure of First Source, while the individuated consciousness represents the
indivisible part thereof” (James, Lyricus: “P&M, Findings of GP” 3). Each planet and planetary
species is then a microcosmic cell within the “body” of FS. Generally speaking, cells are invisible
from the viewpoint of the greater organism: our bodily cells are invisibly minute to our naked eye;
we, HIs, as planetary cells are invisibly minute from the planetary overview; and our planet as a
cosmic cell is invisibly minute from the universal overview.
The question is, which cell are we looking at in Chamber 1 Painting? Is it the planetary cell
within the deep blue cosmic body of FS, the HI as cell of a planetary humanity, or the biological cell
within the human body? Is it two of them, or all three? The beauty of, and difficulty in understanding
abstract symbolism, is its innate potential for multiplicity of both meaning and function signifier.
Chromosome 1
As discussed above, the new brown cocoon of GM looks tantalizingly like a cell with its
central light blue nucleus. It is said in the WingMakers material that each of the 23 chambers appears
on one level to represent its respectively numbered chromosome. Chromosome 1 is the largest
chromosome and 23 the smallest. They are actually numbered according to their decrease in size.
The Ancient Arrow book suggests a different order or sequence of the chamber paintings in situ;
however James has said that the order as now given on the website is the correct order regarding the
WingMakers website material, meaning Chamber 1 Painting on the website (not the CD, see note 2)
represents in some way chromosome 1.
While chromosome research is still in its infancy a web search under “Chromosome 1
influences” brought forward confirmatory evidence of a parallel representation. It is found at the
Penn State Milton S. Hershey Medical Center website.9 The article discusses Charcot-Marie-Tooth
Disease (CMT) a hereditary motor and sensory disorder of the nervous system affecting the nerves
that carry information to and from the spinal cord causing “weakness and loss of sensation in the
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limbs” or areas “farthest from the spinal cord.” This transmittal process -- not the physiological
organs or areas -- is astonishingly similar to the process depicted in Chamber 1 Painting of the way
SI is carried along the UIS to the GM sheath and through into the soul nucleus and thence out to the
HI itself.
Chamber 1 Painting is about motor functioning of humanity on the cosmic level; of our
having a free flowing of energy and input from the GM, SI and FS through to the soul and out to the
HIs, the farther extremities from FS, and through this becoming master explorers of the universe
with our soon-to-be-developed high sensory capacity and nervous system evolution pushing the
envelope of this new innovative cosmic motor capacity. In the paragraph subtitled “What Causes it?”
cited below from the Milton S. Hershey Medical Center’s online article I have inserted in square
brackets the WingMakers’/Lyricus terms that could be exchanged here to reveal an exact mirror,
parallel, or overlay of the process occurring in Chamber 1 Painting. This is only looking at ‘process,’
octaves down from the cosmic level -- at work on the genomic level. It is advised to read the
paragraph twice, once with just the original wording to gain an understanding of the process behind
CMT, and then again inserting the WingMakers/Lyricus terminology to see how exactly this
complex process overlays, parallels and mirrors almost exactly what we are seeing in Chamber 1
Painting scaled up to embrace a cosmological overview from Source:
CMT [defective GM ] affects the groups of nerve cells [UIS] that carry information to and
from the spinal cord [FS ], called the peripheral nerves [UIS]. The peripheral nerves [UIS] have
cells in the brain [soul] and spinal cord [FS ] and nerve fibers [energy systems] that run from the
brain [soul] and spinal cord [FS ] to the whole body [HI/humanity]. The signals the peripheral
nerves [UIS] send control muscle movement [how the HI/ humanity acts and responds], and the
signals they receive relay feelings of pain, pressure, temperature and position back to the brain
[soul] and spinal cord [FS ]. The genetic defect that causes CMT [defective GM ] affects the
myelin sheath [GM ], which is the coating that insulates the nerve fibers [energy systems] so
nerve impulses [Source energies] can travel freely over the fibers [throughout the HI energy
system]. If the myelin [GM ] is defective, the impulses either travel more slowly or carry a
weaker signal. The areas of the body [HI/humanity] most affected are those farthest from the
spinal cord [FS ], the hands and feet [HI ]…Defects in chromosomes 1 and 17 affect the myelin
sheath [GM ] and cause the nerve impulses [Source energies] to travel more slowly than is
normal.

Balance Between Heart Energy and Technology

We pause the story here for a moment to cover an important connection between technology and heart energy. As we have said before, technology is a reflection of the vibrational state of the race it serves. Therefore, it is the heart energy that must balance the technology in any race of beings. If the technology goes too far past the heart energy, it causes an imbalance. As the heart energy rises it will pull the technology up to match it. That is the reason you, in your times, have had such huge technological advances in the past 50 years. It has been incredible for us to watch. It is because your heart energy has evolved to support technology and to cause it to rise. In the days of Atlantis the technological energy actually preceded the heart energy and the heart energy was lagging in an effort to catch up. Tyberonn's dream and destiny were to find ways to bring those into balance. So he tried to connect with the Earth to ! ground it and to put this heart energy and to collect it from everyone through the Earth. This made him very in touch with the Earth energies, while his work as the chief technician to the main crystal power grids of Atlantis gave him the perfect opportunity to blend that heart energy onto the power grid itself. This was Amor's vision of the emerald city where the heart energy came through the green crystals to find its way on to the largest power grids ever created.

 

http://www.worldwide168.com/acc/z67.htm

為了個人和群體的健康，

為了對自身的愛，也為了對其他眾多生命的愛。

尋求真理，實踐是唯一的道路。

「調整飲食」是個顯而易見的好選擇，也算是個簡單的開始。

 

	1.Crown Chakra - Mount Kailas, Tibet
	2.Third Eye Chakra - Currently at Glastonbury & Shaftesbury,     England
	3.Throat Chakra - Great Pyramid, Sphinx & Mount of Olives,    Egypt
	4.Heart Chakra - Glastonbury & Shaftesbury, England
	5.Solar Plexus Chakra - Uluru. Australia
	6.Sacral Chakra - Lake Titticaca, South America
	7.Base Chakra - Mt Shasta, North America

 

 

 

 

 

 

 

 

乍看之下，位於伊利諾州巴他維亞（Batavia），簡稱費米實驗室（Fermilab）的費米國家加速器實驗室（Fermi National Accelerator Laboratory），不像是個會解開宇宙秘密的地方。當你進入這個芝加哥以西不到一小時車程，占地二千七百五十二公頃的園區時，首先會察覺到一片空曠：整個區域是個詭異的不毛之地，只有幾叢工業建築，以及一群野牛。顯現能量蘊藏此處的唯一徵兆，是一圈長達六點四公里，而且比平原還高出六公尺的土堆。
這圈土堆正是地下環型隧道的輪廓，也就是稱為Tevatron的粒子加速器。Tevatron體積之龐大，使它不符合「機器」一詞的傳統定義，倒像是地理景觀的一部分。這個加速器的目的是要讓一束質子（proton）和一束反質子（antiproton），以最快的速度朝相反方向前進，而在高能量的Tevatron當中，所謂最快速度是指光速的99.99999%。質子和反質子在一個僅數公分寬的管內流動，而隧道中的其他部分則佈滿了管線、走道以及長達二十四公里、傳送液態氦到超導磁鐵的輸送管。
一旦質子和反質子束加速前進，將被引導產生激烈的對撞。當質子撞上反質子時，他們會在一場純能量的爆炸中互相消滅，所產生的碎片中常會出現一些新的粒子，而希格斯便可能是其中之一。
在Tevatron這龐大的環型物上有兩個偵測器，各有三層樓房屋高。研究人員計算好時間，讓質子與反質子在偵測器內發生撞擊，偵測器中有電路系統、矽偵測器和微晶片等電子設備，總重量達五千噸。這兩個偵測器的角色十分單純：把每次的撞擊及撞擊飛濺出的粒子拍攝下來即可。這聽起來似乎很簡單，不過你要知道，Tevatron偵測器中每一秒鐘就發生兩百五十萬次撞擊。而在數十億次的撞擊中，可能只有一次有希望產生所尋求的「希格斯玻色子」

 

尋找宇宙新秩序

 

費米實驗室的理論物理學家克里斯希爾（Chris Hill）解釋說：「這些機器純粹就是顯微鏡。」我們坐在他的辦公室裡，瞭望伊利諾州高低起伏的平原和從芝加哥向西擴展的新社區的交界。希爾簡樸的辦公室中，充滿雜亂的電腦報表、舊數學教科書，還有幾截粉筆。然而就在這雜亂無章的環境，希爾和他的同事卻致力於發現宇宙中所隱含的秩序。
在過去百餘年來，物理學家在探究宇宙的排列組成秩序上有長足進步。原先他們認定原子就是萬物的基礎，後來他們又開始分裂原子，切出更小的部分。首先在十九世紀末，電子從湯姆生（J.J. Thomson）位於英國的實驗室中躍出，而質子和中子也在數十年後陸續發現。這三個粒子的各種組合便造就了週期表的118種元素。
但再進一步仔細檢視，便會發現一個結構，複雜於質子、中子和電子自行組成的架構。一九二九年時，爾尼斯特羅倫斯（Ernest O. Lawrence）建造了第一座迴旋粒子加速器，周長只有12.7公分。羅倫斯十分滿意他的新工具，開始用它來探索次原子級（subatomic scale）的廣大未知世界。科學家很快就發現了新的粒子，其中μ介子之類和電子有關，而如夸克（quark）等粒子，後來則發現與質子和中子的組成粒子有關。這些新粒子引發了舉世漸強的狂潮，於是物理學家開始建造愈來愈大型的加速器，一次又一次深入探索次原子的世界。美國的費米實驗室和位於日內瓦附近的歐洲粒子物理研究中心（CERN, European Organization for Nuclear Research）是兩個最重要的次原子研究機構，而研究成果也一直平分秋色，互有消長〔請參見「次原子計分表」〕。

 

標準模型化繁為簡

後來，物理學家創建出名為「標準模型」（Standard Model）理論，而此理論至今仍未被推翻。標準模型列出宇宙中所有的基本組成粒子，並描述支配其交互作用的法則。這個理論可說是過去一百年來，數千位世上頂尖科學家的心血結晶。標準模型把宇宙的基本組成粒子簡化，成為簡單到可以當標語印在T恤上的規則。物理學家就是熱愛這種簡明有序。如同費米實驗室的實驗物理學家哈利維爾特（Harry Weerts）所宣稱，「這個渾沌的世界可以濃縮簡化成少數幾件事。」
但這其中有個難題：標準模型預測宇宙中應該存在有希格斯玻色子，因為如果希格斯不存在，那麼宇宙的萬物就不會有重量，也不會有恆星、行星和人類，因為所有物體都會以光速在宇宙中穿梭飛行。希爾解釋道：「所有東西的質量都是由希格斯而來。」CERN一項實驗的發言人彼得簡尼（Peter Jenni）表示，物理學家需要希格斯來解釋一般人覺得再淺顯不過的事實，也就是：物質是有質量的。
然而希格斯玻色子的發現之路卻一直困難重重。和其他同類的基本粒子不一樣，希格斯通常不會明確的以粒子形式顯現，反而慣以類似「氣場」的形式出現，像透明的氣體一樣充滿所有空間。現在你的鼻子和這張紙之間就有一個希格斯場，而在宇宙最遠的那端也有希格斯場。

 

上帝粒子定質量

 

希格斯場會對某些粒子施以較大的拉力。粒子受希格斯影響越大，它的重量或質量就越大。希爾把希格斯場比喻為海洋，海洋的潮流讓某些生物難以移動，但有些生物卻不受影響。以頂夸克（top quark）和電子來說，頂夸克是目前所知的粒子中質量最大者，電子在相形之下是非常輕的粒子，希爾比喻道：「移動緩慢的水母，就好比是頂夸克，而電子就像可以快速游動的小魚」。倫敦大學學院（University College London）的物理學家大衛米勒（David Miller）對希格斯場另有妙喻：演藝圈名人。想像一下，在瑪丹娜參加的派對中，由於大群喧鬧的歌迷，她很難自由自在地走動。因此瑪丹娜就相當於一個很重的粒子，受希格斯影響而慢了下來。相對的，一個參加派對的普通人就好比是個很輕的粒子，不受狗仔隊牽絆，因此可以輕易地穿過人群，直達用餐區享用美食。
要發現希格斯玻色子，科學家必須先把它從希格斯場中誘出。正如條件具備時，雲朵才會形成雨滴一般，希格斯玻色子只有在能量足夠時，才會從希格斯場中凝結出來。這就是為什麼粒子加速器要推動質子與反質子到如此難以想像的速度，就是為了要在小空間內，集中最大能量。
當質子與反質子在粒子加速器中產生撞擊時（別忘了，這種撞擊頻率驚人，每秒鐘就發生兩百五十萬次），所有爆炸都會發生在Tevatron裡面兩個分別名為CDF和D縑]唸作/di`zIro/）的偵測器內。偵測器中的電子感應器過濾爆炸產生的基本碎片，最後排除為數頗多的撞擊，只精選某些撞擊作進一步分析。
CDF小組的一個領導人佛朗哥貝德奇（Franco Bedeschi），用粒子物理學家才有的輕描淡寫技巧，簡單形容他的研究計畫「很大」。然而事實上，偵測、辨認、追蹤每次撞擊所產生的許多新粒子，就像要在滿載熟蕃茄的卡車以時速八十公里的速度甩尾行進時，追蹤蹦出的蕃茄籽一樣，是既複雜又混亂的工作。高深複雜的電腦程式幾年來不斷比較、對照數以兆次的撞擊，搜尋數據中的不規則趨勢。
如果科學家捕捉到希格斯，他們將會看到什麼呢？就像這場追尋的所有事物一樣，希格斯並不是直截了當的東西。撞擊本身雖可在電腦螢幕上「看」到：每次撞擊事件都會轉化成影像，形成一團從中心點發散出、錯綜複雜線條的圖形。但是希格斯不會出現在任何撞擊照片當中，因為幾乎在它出現的瞬間，就會蒸發成一對叫做底夸克（bottom quark）的奇特粒子。
對希格斯搜尋者而言，不幸的是，底夸克也可以從其他各種方式形成。但幸運的是，希格斯所產生的底夸克有特定的能階。因此，當物理學家的電腦程式篩選約五百兆次撞擊所產生的碎片，發現帶有希格斯特有能量的底夸克時，就是可以高興地呼喊：「發現了！」的時刻。

 

歐洲、美國大競爭

大紀元3月21日訊】(大紀元記者吳宇凡﹑方洪編譯報導) 據稱在物理學微觀粒子的研究中，科學家最想要尋找到的粒子就是希格斯波色子(Higgs particle)﹐這一假設中的粒子一直是當前物理學關於物質質量基本模型的基礎。如今這一粒子很可能已經被發現了，儘管目前的證據仍很弱。

據BBC三月十日報導﹐英國牛津大學的彼德‧雷頓(Peter Renton)教授表示﹐在瑞士原子對撞實驗中發現的新粒子很可能就是希格斯波色子。關於這一粒子的假說能夠解釋了為什麼其他粒子會有質量。

雷頓的發現發表在”自然“雜誌上。他說﹕“這個粒子是不是希格斯波色子還有疑問 ，但是這項發現必定說明了什麼。” 在雷頓的實驗中，這個難以理解的粒子質量為115Gev(十的九次方電子伏特) 。

*不穩定的粒子

這一結果是在瑞士日內瓦的一個很大(圓管半徑為二十七公里)的正負電子對撞機中獲得的。不過，有百分之九的機率由此訊號只是背景噪音。據稱﹐當正負電子對撞的時候，會爆發出很高能量。相撞之後，這些粒子會變的很小而使得很難做研究。但是現在有了新的大型強子對撞機，可以研究對撞殘骸中產生的重粒子。

希格斯波色子是很不穩定的粒子，而且一但產生，很容易衰變。

雷頓根據觀察其他粒子對撞的行為所得出的間接證據，和觀察希格斯波色子的質量(115Gev)相吻合。“這是有爭議性的，這些數據可能提供一些參考依據，但是仍然需要證實” ，劍橋大學理論物理教授布萊恩‧韋伯(Bryan Webber)說。

*質量的提供者

物理學家迄今已經觀察到了十六種參與組成物質的基本粒子。

假如將這些粒子單獨考慮，按照現在的理論模型把它們加起來的總合與實際不符。如果只有這十六種粒子存在，它們沒有質量。而這是和我們在對大自然的了解是互相違背的。必須得有另外的什麼給他們提供質量。

希格斯場(Higgs field)由愛丁堡大學物理學家Peter Higgs和他的同事們在1960年代所提出的想法。他們假設所有粒子在希格斯場通過相互作用而獲得質量。在這個理論中﹐希格斯波色子攜帶了這個場。因此希格斯波色子對于現有理論模型的成立十分重要﹐被稱為”上帝的粒子”。

雷頓希望一但大型的強子對撞機建造好，並且在2007年開始使用之後，那麼測量到希格斯波色子的夢想可能在一到兩年之間就可以實現了。如果這種粒子不存在﹐我們對物質質量的基本理論將陷入困難中。

 

 

Question 39 – Is there an initiation required for students to learn the esoteric ways of the ascended masters?

Answer 39 – I am one of the teachers who have some degree of intolerance towards concepts like light quotient, ascension schedules, initiations, ascension seats, etc. These concepts are of the old Tributary Zones, and they are continued by those who are prisms of these Tributary Zones who have become indoctrinated by the teacher-student ordering of the old hierarchy. This particular student was one who was impregnated by these concepts at an early age and couldn’t quite let go of them.

When a student of this mindset meets a teacher like myself, it can often be unsettling for them because I will rip apart the indoctrination like someone who unwraps a mummy, exposing its frail skin to the sunlight. If the student survives this, they will look upon their role differently. They will walk a sovereign path built on their own inner wisdom, and it may not have a thing to do about the Hierarchy, or ashramic work, or this ray or that ray. It will be about the entity’s expression in realtime, and how that expression is resonating with those whom its life is intricately connected. It is about living the Life Principles of the Sovereign Integral.

Returning to this individual, he came to me one day and announced his plans to leave. He had felt a need for some time to return to his indoctrination (my words, not his), and like the prodigal son, return to his master. He felt that I was not carrying on the tradition of being a master who teaches knowledge by words and deeds, that I was too enamored by teaching through art, music, psychology, etc. To him, he needed a teacher who could tell him what to do, where to go, how to get there, and who to be once he arrived.

I bid him farewell, explaining my resolution to create tools and not to instruct in what I refer to as the Minutiae of the Esoteric (MOTE). But for this student, this was what he needed. The minutiae of the esoteric was the scaffolding that supported his need for that elixir of elitism called arcane knowledge.

Experience of the Wholeness Navigator is not in any way related to MOTE, and this experience is what I teach. The problem with experiencing the Wholeness Navigator is that for some students they find themselves unable to become teachers themselves, and this is why most students or initiatives arrive to my door. They desire to be teachers of MOTE, though they masquerade as students of spirit.

Why? Because as a teacher of MOTE they suddenly belong to the Hierarchy, hoping to launch themselves like an ascending rocket to the heavens where all things are possible. The lurking, subconscious equation: Mastery of MOTE + Ascended Master + Initiation Process = Control. Thus, when a student comes to me, I scrutinize their intentions, filtering the authentic desire for experience of the Wholeness Navigator from the indoctrination artifacts that create a leaning towards MOTE.

Control is the indoctrination artifact that leads many a student to my door, though they generally are not aware of it. I would ask you to ponder this. Examine your intentions, and see if you desire experience or knowledge. They are not mutually exclusive, if experience of the Wholeness Navigator is prized above control; and if the expression of the Wholeness Navigator is honored above the acquisition of MOTE.

I will return momentarily to the scenario I mentioned earlier in this letter. If you are a prism of a contemporary Tributary Zone of resonance to your heart and mind, and that part of you, referred to as the Wholeness Navigator, arises as your teacher, you will see that you are not a concretized prism of a particular shape, but that you can shape-shift to any geometric shape desired.

This is the beauty of experiencing the Wholeness Navigator and expressing its innate abilities. You are not protecting or professing MOTE; you are not an initiate desirous of teaching and control; you are not parroting the words of your master; rather, you are transparently transforming contemporary Tributary Zones to the dispersed masses of humankind who are seeking a new direction that is illumined by the tools of art and personal experience that have been decelerated to their particular needs.

In closing, I want you to know that I am not impugning the value of the ashramic missions as I know them, but rather, as you know them. You know them through the words of prisms not yet aware of their Wholeness Navigator. You know them through the MOTE that other initiatives have expressed from obsolete Tributary Zones. There is much less division and specialization within the Hierarchy than is acknowledged. The masters are not interested in MOTE… the initiates are.

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進化中的意識之凝聚－與Hakomi 4-6室相連的資料

‘Para Vach’是超越‘可表現出來的’和‘不可表現出來的’兩者而存在著的（transcends both manifestation and non-manifestation），最初始的、起因的（causal）聲與光。它是超脫於宇宙（cosmos）之外的〝最初源頭的氣息〞，它創造出物質，賦予物質活力，並且啟動了物質之振動性的基質。它超越了‘聲與光所表現出來的形式’而存在（It transcends the manifestation of light and sound）正如它存在於它最純粹與最光輝的狀態裡那樣（even as it exists in its most pure and luminous state）。

事實上幾乎在所有宗教的經文裡都有提到，物理學和宇宙論也有描述到－－不管是如何地拐彎抹角－－‘Para Vach’。在聖經裡它是使長出肉的指示（In the Bible it is the Word made flesh）；它是奧義書（印度〝吠陀經〞的最後一部分）裡的Nada；可蘭經裡的Kalma-I-ilahi或內在聲音；伊斯蘭教蘇菲派的HU；在畢達哥拉斯的哲學裡的‘天體的美妙聲音’（music of the spheres）；它是佛教裡的Fohat；以及中國的神秘玄學裡的Kwan-Yin-Tien（譯註：觀音天？）。不管它的名字或確切的定義（是什麼），它就是在大宇宙（the Grand Universe）裡所有的聲與光之‘原始的起因’（fundamental cause），‘所有的聲與光 ’依次才是所有的表現（all manifestation）之‘原始的起因’。

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「光音天」的世界

時間是人類計算時數的一種代表，在每一個當下的瞬間，成立了一個世界。
反觀吾人的思惟中，幻化出一個世界，雖然是一種感受，但確實能讓吾人融入其中。
很多人在美妙的音樂中陶醉，飄飄然，這樣融入在共修，唸佛與本尊的持誦咒音裏時，諸佛海會的世界即刻現前。
在密教的修持中，行者以肉身想像成宇宙大身的壇城，冥思自己即是宇宙的縮影，而遨遊十方法界。在華嚴經法界觀裏，所構建的法界亦是從時間、思想、聲音和光的世界中，建立一個精神世界。「光音天」即是詮釋那無量光、無量時間和美妙音聲裏的一種心境。在光音天心境中的行者，正在享受那無量光明，美妙眾樂、無限時間的內在極樂法喜中生活，唯有行者拋開偏執與小心眼的心時，才能到達心靈的彼岸。這亦是唯佛所能了解，所能知道的一個世界。

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金剛經研讀第五十三集　 一合相即非一合相（一）

 

我們曾經提過，生命是從無始以來就有的，“無始”不是沒有開始，而是無從知道的一個開始。根據佛經的說法，人，是來自於光音天。
　　光音天在色界的二禪天範圍，二禪天有三天，分別是少光天、無量光天、光音天，這是一個什麼樣的境界呢？在老禪師的圓覺之道之三心地法門中有詳細的介紹。
　　我們要知道，色界在三界之中，還是眾生的受報處，不能出離生死輪迴。
　　只不過當世界進入到壞劫時，第一個壞劫會有小三災──饑饉劫、刀兵劫、疾疫劫，其實一切的劫難跟人類本身息息相關，形成由人，消弭也由人；就像化干戈為玉帛，化腐朽為神奇一樣，吉凶禍福端在人為。
　　比方人間國主，如果缺乏天地之仁心，又欠缺寬厚的德養，那就得不到天神地祇的尊敬、厚愛與護祐，天災就會降臨；如果人謀不臧，互相鬥亂與那刀兵疾疫就會相繼降臨。俗話說是福不會錯，是禍躲不過，一切萬法的現象，不外基於心的現象而轉變。
　　我們曾經提到過，器世間的形成有成、住、壞、空四個階段，而成、住、壞、空各有二十個劫，此劫包括一增一減，人壽由八萬四千歲始，每隔百年遞減一歲，至十歲止，此謂之減劫；而後每隔百年復遞增一歲，直至八萬四千歲，此謂之增劫，而成、住、壞、空各有二十個如此的增減小劫，試想那是多麼不可思議的漫長！？
　　當第一個壞劫來臨時，會有小三災，當第二十個壞劫來臨時，那時世界就會出現大三災
　　──水、火、風三大災難；前者是人禍，後者是天災；如果以徵兆來說，人禍當是人類咎由自取，比方濫殺動物、濫伐林木、濫用藥物，濫研科技等等，人類自私的結果最終會葬送子孫生存之地球，到達天神地祇都忍無可忍時，那就是天災來臨時了。到那時節，整個世界將被摧毀，只有二禪光音天以上的範圍不受影響，無量光天以下的眾生無一能倖免，所以當世界面臨壞劫被毀時，光音天以上的眾生還是存在的，他們是進入禪定，受色界禪天報，或是無色界的四無色天報。色界與無色界眾生的壽命都很長，但千萬別羨幕，因為縱使壽長八萬劫，依舊輪迴受生死。
　　壞劫之末世界被毀，即進入到空劫，如此不可思議的億萬年之後，有一個像地球一樣的星球出現，由於地表長出花果五穀，美味異常，又有山河林地適合居住，當光音天的眾生無意間飛來遊玩，著地之後，吃了地面上的東西，他的身形頓時濁重起來，失去了光潔，於是著地成形，就再也飛不回去了，這就是佛經上告訴我們的地球人類的起源。這不是一個神話，
　　這是一個相當符合科學知識理論的結果。因為佛陀所證明的不只是物質世界的現象，而是精神世界的領域。因為一切世界的現象就是眾生心識所顯現的結果，也就是說，都是眾生隨業識習性造作輪迴的結果，而這都是佛陀深入禪那，智慧觀照的發現。
　　以前學佛人不知怎麼來解釋這一奧妙，現在我們知道，色界、無色界都是禪定修養眾生的受報處。生命無始以來就存在，依於造作而入輪迴，唯殺、盜、婬，三為根本，以是因緣，業果相續。除非學佛人知道要刳心懺悔，或者入實相理諦，作實相懺悔，否則罪難除滅。所以只要有惡業，就必須承受苦果，定業不可轉，唯懺悔能除滅。

千佛山雜誌社

 

 

 

NTRODUCTION

An inquiry I receive more often than any other is related to how people can be of service and fulfill their purpose in this lifetime. Among the many threads of this inquiry are:

 

> How do I go about discovering what my mission and purpose is?

> I have all of this energy, insight and love to give to humanity, how best do I channel it?

 

These are noble and sincere questions, and I take them to heart as they were intended. I’ll do my best, with the limitations of words to describe what is happening now on the planet and how people can assist in the times to come.

 

As many of you have read in the prophecies of the ancients, earth, and by association, humanity, is undergoing a transition in consciousness forecast to occur in the 2012 timeframe. This planetary shift is part of a larger design of a galactic shift, which is part of a still larger design of a cosmic shift that crosses multiple dimensions of time/space. It is as large as you can conceive when you’re in your most lucid state of heart-mind synchrony. One of the reasons that earth is now populated with 6.5 billion people is that it is the theater of interest to a vast assortment of cosmic beings incarnating to help in, and observe, this planetary transition.

 

Each of you is a part of this, particularly if you’re reading these words since they are part of an Event String1 to align individuals to this under-taking.

 

OUR SHIFTING DESTINY

There are forces on the planet that are not consciously aware of this shift, but are nonetheless playing their part in creating the conditions that will facilitate it. Without trying to alarm you in any way, there will be calamitous times ahead for humanity, particularly in the next seven to nine years. This is part of the process for a planetary consciousness to move from one dimension to a higher dimension where the attributes of that higher dimension can find expression in the mass consciousness and transform the

way in which hierarchical systems like government, commerce, religion and culture function.

 

This re-gridding or transformation of the key systems of the planet must occur before the major discoveries of humanity can manifest. These major discoveries include the repositioning of intelligence as something supernatural, interconnected and heart-centered. This is the precursor to the irrefutable scientific discovery of the human soul and its interconnection with the broader multiverse, which will come about in the last quarter of this century.

 

The changes that will be occurring in the next seven years are substantial hurdles for humanity to leap over, without falling. It requires all of us to express an inner calm and confidence—to adopt the frequencies of our innermost heart and share them with the public. I’ll explain this in more detail later on.

 

Those of you familiar with the WingMakers Materials know that the Animus2 are a part of the mythological expression of Lucifer, or evil incarnate. They operate in conjunction with organizations bent on the control of earth and her inhabitants. They are not exclusively extraterrestrial; they are here among us.

 

Before anyone becomes troubled at this statement, let me affirm clearly that the Animus (I will refer to them with this moniker only for consistency’s sake) are playing a role in this shift. Without them it would not occur at this time given the planet’s history. By the standards of good and evil, they are evil because they believe in the supremacy of the mind and its abilities to engineer social and economic outcomes for their benefit by manipulating the masses of humanity and exploiting the planet’s resources.

 

What they do not understand is that there are higher powers than the human or even extraterrestrial intellect—no matter how educated or evolved it may be—that are organizing and operating at a collective level. There is not a single Messiah, Prophet or Savior in this era that will come and balance these elitist forces. In our time, it is a co-mingling of cosmic, extraterrestrial and human forces because the stakes are too important, the macroenvironment too complicated, and the histories too muddled for any one person to step forward and help humanity leap over the hurdles that lie

ahead.

 

This time it will be done as a unified team. This team will steer the course of the planetary consciousness and the dimensional shift that awaits it. It will operate in accord to the principles of the heart, independent of the minds of the appointed elite. There is a passage in Liminal Cosmogony that states: “When the Animus believe they are entering the mansion of earth, using keys of the intellect, the Tribe of Light will enter through the backdoor, sealing the entryway and windows with a frequency that no intellect can unlock. The Animus will struggle to prevail, but having hearts that have withered they are drawn to the lower fields prepared for them, while the mansion of earth graduates into a meadow of grace and calm from which the soul of man can rise.”

 

With an allegorical tone, this passage aptly describes what will occur. The “struggle to prevail” will be unpleasant to many people and the associated stresses will cause many to unbalance and shift away from their hearts and higher minds, operating instead from their survival centers of the reptilian or first brain. It is at this time—as humanity is making its leap—that each of you can contribute your heart energy to the greater good.

 

A TRANSCENDENT INTELLIGENCE

There is a First Source3 or Central Sun. All dimensions lead to it. Whatever name you give to it: Higgs Field, Source Intelligence, Spirit, it issues from the Central Sun as love and it dimensionally shifts universes via its intelligence. Yes, love is powerfully intelligent. It has an intelligence that shines so bright that it is the light we see on every dimension of consciousness. Love, at this core frequency of Spirit, connects to your personal self through your innermost, energetic heart4. It passes in to you and through you at this juncture.

 

You need to only imagine and visualize this intelligence of Spirit coming into your body and passing through you to all who cross your path, and when you do this, you have brought your mission to earth. You have grafted an aspect of heaven to an aspect of humanity and earth. And this is why you are here now.

 

It may not sound complicated enough for some of you. This mission may even feel small and somewhat insignificant, given the grandeur of the cause. Perhaps some of you might feel that it’s not really using your full potential as a channel of the divine impulse. This is the mind-ego speaking to you. Listen to your heart and its intelligence. What does it feel when you read these words?

 

It is not complicated. It is simple and fundamental. As long as a system is stable, or at equilibrium, it’s difficult to change it, but as it shifts toward disequilibrium and descends into chaos then even a filament of coherent energy can bring it into a new structure—a new harmony. This applies equally to you as an individual as it does to earth. Each of us can be a filament of coherent energy.

 

Woven together, these filaments constitute an energetic potency that draws the shift of earth and humanity into a more balanced transition.

 

A CHOICE OF THE HEART

The most powerful coherent energy on the planet (throughout the multiverse) is the intelligence of love issuing from the Central Sun and conducted by Spirit to all dimensions of existence. The heart is the hub in the grand network of souls who are incarnated, regardless of space or time. You, as an individual, can choose to be connected to this network, conducting the coherent energy that it operates on, or you can choose not to. That’s what I mean when I say it is not complicated. Indeed, it is a simple

choice.

 

For those of you who want to express other aspects of your innermost spiritual work, I encourage you to do so, especially if it assists you in developing this heart intelligence connection and equivalent expression. The single most important thing we can do is to practice the heart’s intelligence in our everyday, moment-to-moment expressions. When this is done, you are truly aligned to this mission of helping the planetary shift.

 

Choose to be a filament of coherent energy, a hub of heart intelligence that expresses itself in your everyday encounters. The planet, in a real sense, depends on our choice in this specific matter. The dimensional shift is arriving with increasing clarity. It is beginning to rumble and weave. Now is the time for each of us to make this choice consciously and to live it consciously. This is our time.

 

The fundamental frequency of expression that issues from First Source— using our language to describe it—is appreciation of life in all its forms with a love that is absent of condition or judgment. This is a classification of love that operates in the knowledge of the largest, most encompassing dimension of existence. It is therefore of the highest intelligence because it understands the purposeful unfolding of life in all dimensions in the outgoing breath of time.

 

The frequency of this love is stepped down as it enters the dimensions of time, space and matter. It connects with great care to the individual energetically at the point of the heart. This is why the heart develops in the fetus before the brain; it literally informs the life force of the human instrument5, preparing it to receive the soul consciousness. When the soul moves within the fetus or infant (it can do both, depending on circumstances I won’t attempt to explain here), it moves through this channel forged by the heart. It establishes this connection with Source Intelligence6—essentially from heart to soul to Spirit to First Source.

 

This is the underpinning of the human instrument. It is the energetic umbilical cord that nurtures the sense of connection we feel to one another and to our Creator.

 

LIVING ALIGNED AND UNCONFLICTED

Within the human instrument there are many centers of intelligence. In one sense, every cell is intelligent. However, the primary clusters of human intelligence are the heart and brain—specifically the prefrontal lobes7, while the primary source of divine intelligence, relative to the human body, is the connection that the heart has with the Creator’s Spirit or dispensation of the love frequency.

 

Because the heart is an independent sensory organ8, at the physical level, and a connective link to the Creator, at an energetic level, it has a capacity for divine intelligence that is most accessible when one is unconflicted. A conflicted person is one that is uncertain and unaligned. The heart can lend its intelligence to the human instrument with greater clarity and intensity when the human instrument is not in a state of conflict or emotional turbulence.

 

The human instrument is analogous to a broadcasting tower, and the heart its transmitter. When the human instrument is functioning in an unconflicted state, transmitting from its heart center, it is broadcasting the frequency of First Source to the earth plane with only a small degree of its human imprimatur. If the person is functioning from the emotional state of turbulence and conflict, they are unable to access this frequency let alone transmit it.

 

Therefore, as you may have already surmised, the trick is to live in an unconflicted state, exercising a high degree of emotional self-regulation so that you can more deeply access and more fully transmit your heart intelligence to the benefit of all. It is analogous to transmitting the feelings of appreciation and compassion instead of speaking words or taking actions of equivalence.

 

Herein is one of the keys. It is not about actions and words; it is about the feeling world of the individual and how coherently they express this world from their heart—not with overstated appreciation or soft sentiments, but rather the clear intelligence of emotional support unhindered by histories, memories, expectations, or judgments.

 

THE EFFECTS OF A SILENT WAR

Allow me to digress for a moment so I can lay some context for the task of living in an unconflicted and emotionally stable state.

 

The Animus are among us. They engineer the economies upon which we live, which shape the social order and culture. Our education scarcely permits us to understand the physical and nonphysical systems in which we live, which undermine our appreciation of what and who we are, and why we are here. The Animus are not aware of why they are here, they only respond to one thing: power—whether it is hidden or not.

 

A silent war is being waged across the globe and its dark ripples touch everyone. It unnerves us and creates the emotional turbulence that so insidiously and persistently gnaw at our emotions. Stress abounds, traversing the frameworks that we live upon. Upon this stage of turbulence—caught up in financial and day-to-day survival—we raise our children, care for an aging parent, work 50 hours per week, keep up with technological demands, shop for necessities, and nurture our relationships.

 

Upon this already full canvas of life, we are pulled into the media extravaganza that funnels our attention—what’s left of it—into content that can only be described as largely soulless and without depth or spiritual inspiration.

 

The silent war will wage on and even escalate in the years ahead, and the stressors of this manipulation will undoubtedly mount. I mention all of this to assure you that I understand the hardship involved. It is not easy to live in the unconflicted state when pressed on all sides by turbulence and unease, especially in the vice of accelerating time. This reality, however, is not the reality in which your energetic heart lives.

 

HEART REALITY

Your energetic heart is multi-leveled and holographic, meaning that it encompasses the dimensions of life that range from the mundane, dense, three-dimensional environment to the mystical and supernal dimensions of First Source. At its core energetic frequency it is coupled to the grid of love that interpenetrates all dimensions and all life. At the point of this coupling, the heart beats within the soul, similar to how its rhythms pulse through the body electromagnetically9.

 

The heart of the human soul is in accord with the heart of First Source. Remember, we are created in the image of our Maker. Within this Heart of hearts is the transmission upon which we all live and have our being. It is from here that we have been diverted—our attentions split into a thousand directions, forgetting—no, underestimating our heart’s intelligence and the ease in which we can apply its special powers.

 

The stresses of life also cast you in the direction of the pleasures of life, as well as its mysteries. However, you must find and then choose your direction into your heart’s intelligence. It cannot be forced upon you, yet too few understand how to reach inside their energetic heart and activate its transmissions so it can be broadcast via the human instrument’s innate capabilities.

 

Diversions of the mind and underestimating the value of the heart are why individuals do not understand how to activate and broadcast their energetic heart. The heart is often seen as subordinate to the mind-brain. It is confused as the seat of emotions, for which the heart has become a rogue, non-verbal intelligence suited to the impulses of anger and fear as well as love and compassion. In truth, there does not exist a more stable force within the human instrument than the heart, nor a more intelligent source of perception.

 

In ancient times the heart was regarded as the seat of soul. It was the gateway between the world of soul and the world of the body-mind. It has, in the science of the last 300 years, undergone a repositioning as a mechanical pump of remarkable biological properties, but nonetheless, a mechanism of blood distribution and little more.

 

In more modern times, metaphysicians have placed the heart within the emotional frequencies, signaling its place in the astral plane or the plane of emotions. They reason that the heart is the emotional and feeling center of the body, therefore it is not governed by its own intelligence but rather the intelligence of the mind. Metaphysics has quietly relegated the heart to a position of emotional expression that must therefore be aligned to the mind centers, which operate as the active, guiding principle of the human instrument.

 

It is this repositioning of the heart’s mission and function by both science and metaphysics that has diminished its role in today’s world, and this is not by accident. While the mind-brain is overshadowed by the ego, it posits that the heart is its instrument, when indeed it is more truthful to say that the mind-brain is the instrument of the heart.

 

The time is rapidly approaching when the heart’s intelligence will be rightly understood as the primary source of human connection to the divine intelligence of our Creator. Its perceptual capabilities and resilience of spirit is a result of this intimate connection to First Source. It will become the mirror by which humanity sees—in high resolution and irrefutable detail— the wonders of the human soul.

 

I will tell you a secret. It is, as with all things vital, a simple, elegant, pure, and rational behavior. It is the smallest of activities and it is wordless. It is impossible to feel the puffery of ego in its midst. It is this: Feel yourself connected to your Creator at your heart, but release the flow of love that comes your way.

 

The Creator’s bequest is always flowing your way in the form of love. It enters you in your energetic heart and “travels” its way to your body. From your heart it touches your brain and releases hormones into your bloodstream that—over time perfect your transmissions. Feel this process. Be aware that it is occurring. Consciously co-create its occurrence. And when you do, release it with the simple command: “what comes to me flows through me.”

 

Do you see how simple and elegant it is? There is intention, or co-creation. There is visualization. There is the activation of feeling connected. There is release. There is outflow. There is heart-centric focus. And there is the lingering appreciation frequency.

 

There is a wisdom of the ages that has been lost in time. It states: The heart is the place we must daily face for there we find ourselves.

 

FOCUS OF THE HEART

I know there are many of you who are drawn to read and study the spiritual works. Many of you feel that your purpose is to expand these works, to bring new vision to the ancient sight. You desire that your purpose be linked to a grand expression that touches many in a positive way. I understand all of this and more, but truthfully, I tell you that your mission and purpose—if subjected to a distillation process—can be found three paragraphs above.

 

Letters arrive daily as to why additional materials are not being released upon the WingMakers.com and Lyricus.org websites. I understand the desire to learn more about the structures of the cosmos and what is happening upon earth. In part, it is why I’ve released this paper at this time. But the materials I have come to convey are not all destined for those present in this time. They are for future incarnations, for reasons I have already spoken to.

 

Your thirst for knowledge is admirable. Your thirst for experience in the other dimensions waxes and wanes from fear of the unknown. Your thirst or heart intelligence is more powerful than you imagine because you relabel and redistribute it as the thirst for knowledge and experience. This is because you have focused on the third eye, on the higher mind, the crown chakra, the cosmic knowing; and you have struggled to bring knowledge and experience into your mind.

 

There is nothing wrong or misguided about this. It is natural and is part of the encoding of those present in this time. I am only explaining that it is time to shift to the heart. It is a fair question to ask “why”?

 

Abundant knowledge exists on this planet relative to man’s spiritual quest and ascension career. It does not require layers upon layers of embellishment. Indeed, these “layers”—in many cases—create the new filters and densities that obscure the pure understanding inside your hearts. This is a time of creativity and co-creation. It is not a time of re-working, embellishing, or enlarging the knowledge systems of the past, and there is a reason.

 

Human destiny is focused on establishing a new, higher dimensional consciousness on earth, and in so doing, creating conscious, two-way linkages to the multiverse and the entities and beings therein. As we rampup to this shift in consciousness, each of us will require an enhanced creativity and intuition, which is the very fiber of our energetic heart.

 

When I speak of creativity, I’m not speaking to the activities of art, music, or writing. I am talking about the ultimate creativity—creating new perceptions of your reality. When you view your reality through the prism of your energetic heart, your reality will shift in the direction that humanity itself is shifting. In other words, there is an alignment between your view of reality and the future reality of humanity.

 

In this alignment, there is power to leverage in achieving the shift (or leaping over the hurdle). This is why it is so vital. It is also why it touches so many.

 

You can spend the rest of your life creating the new words, the new brush trokes over the old, and you will touch—if you are very fortunate— thousands of people. But where will you touch them? In their hearts? In their minds? In their pocketbooks?

 

You can activate your heart intelligence and apply it in your everyday life, and over a period of a minute, you can touch the entire grid of humanity. In principle, this functions as a result of how the grid of love is engineered to be porous to an input frequency that is compatible to the grid itself, and then transmit this input across the grid as an energetic add-on. If the frequency is not compatible, the input will be locked out of the grid. (It is not the purpose of this paper to explain how this works in detail; perhaps in a later paper I will make known the physics behind this grid.)

 

POTENTIALS AND CHOICE

There is a part of you, quiet as it may be, that asks a logical question: “If First Source is so powerful, omniscient, and the source of the highest love, how and why does an individual like me make any difference?”

 

If you didn’t have the potential to make a difference you would not be here. The operative word, in this case, is potential. Having this potential is precisely what defines the individual because with potential a choice must be made. If we could leave everything to our Creator, we would be comparatively less valuable—a commodity of the cosmos.

 

However, each of us carries the possibility to transmit into this universal grid of humanity and contribute to it—not because it requires something of us, but because we require something of it. The gesture of placing your heart of hearts on the palm of your hand and offering it to your brothers and sisters in selfless contribution is the ultimate sign to First Source that you are prepared for the dimensional shift.

 

A signal must be offered, and it must be the exact signal or it will pass into lower dimensional grids that do not have access to the energetic pathways to transport your signals to the Central Sun.

 

There are many grids that encircle the planet and human consciousness, but only one interpenetrates all. Only one is inclusive without exception. And it is this grid that is being engineered to accommodate the coming shift. You can think of it as a “shoehorn” of humanity’s consciousness that will move the earth to a new dimensional state. The stronger this grid is, the better it will serve its ultimate purpose.

 

HEART MAPS

I understand the tendency of individuals to want clear-cut “maps” that state definitively how one should go about activating and transmitting their heart intelligence. If there were such a map, it would undermine your own creativity and resourcefulness. The things that matter in one’s life—relative to one’s purpose—are neither formulaic edicts nor mantras. They are feelings and how coherent and unconflicted they are transmitted.

 

It is only natural to want clarity and a sense of “I’m on the right path”. If I could draw a map of this adventure into your heart and give it to you, it would not be done with words or actions. It would be drawn with feelings and the energetics therein. It would be done with an energetic transfer that you would catch—fleeting as it may be—but it would be something you could feel. In these words and images I’ve tried to weave together an energetic transfer. You must do the catching and carry out its resourceful application.

 

The brain is not the primary receptor of an energetic transfer. It cannot absorb the subtle frequencies and textures that intermingle in the feeling world, dancing in rhythms that exceed the speed of light. It is only the heart that can capture the intrinsic meaning of these energetic transfers and sometimes this does not translate to the mind.

 

This condition can leave one with the sense that the Heart Map, or energetic transfer, was never received. I can only tell you that if you read this paper and listen to it from a heartfelt perspective there is a transfer. A map is being imprinted within your energetic being and it is activating a region of your heart intelligence that will—over time—step forward as a mapmaker.

 

FINAL WORDS

I acknowledge that this writing carries a dark side to it. I hope I have done what I can to reassure you that the events on the horizon, while alarming, are also activating to all involved. Everyone is touched by the happenings of this planet. Everyone. Remember this: You are with all of us. Feel the textures of this declaration as deeply as you can. It will support you in times of hardship. Know that everyone (this includes you), no matter how they may appear in life’s conditions, is trying to do their best amids the commotion that permeates the planet and, by association, their personal life. This is the root of compassion that grows in your innermost heart.

As this paper states, you have the potential to receive and transmit a frequency and intelligence of love that issues from the Central Sun or First Source. This potential requires your choice to reach for it, to make it part of your new mission. In doing so, you have signaled your readiness for the planetary transition that lies ahead, and you are making a contribution so this shift occurs with greater balance and stability.

 

There are aspects of this writing that have been purposely vague. For example, what is the purpose behind this dimensional shift, who is orchestrating it, when will it occur, and what is the new dimension going to be—in real terms?

 

I have remained focused on the more personal aspects of this impending transition. In future papers I will share more about the changes in the dimensional environment that will be occurring.

 

From my world to yours,

James

The DNA PHANTOM EFFECT: Direct Measurement of A New Field in the Vacuum Substructure

by Dr. Vladimir Poponin

INTRODUCTION In this contribution I am going to describe some observations and interpretations of a recently discovered anomalous phenomenon which we are calling the DNA Phantom Effect in Vitro or the DNA Phantom for short. We believe this discovery has tremendous significance for the explanation and deeper understandings of the mechanisms underlying subtle energy phenomena including many of the observed alternative healing phenomena [1,2]. This data also supports the heart intelligence concept and model developed by Doc Lew Childre [3,4]. (See also contributions by Rollin McCraty and Glen Rein in this volume). This new phenomenon -- the DNA phantom effect -- was first observed in Moscow at the Russian Academy of Sciences as a surprise effect during experiments measuring the vibrational modes of DNA in solution using a sophisticated and expensive "MALVERN" laser photon correlation spectrometer (LPCS) [5]. These effects were analyzed and interpreted by Gariaev and Poponin [6]. The new feature that makes this discovery distinctly different from many other previously undertaken attempts to measure and identify subtle energy fields [1] is that the field of the DNA phantom has the ability to be coupled to conventional electromagnetic fields of laser radiation and as a consequence, it can be reliably detected and positively identified using standard optical techniques. Furthermore, it seems very plausible that the DNA phantom effect is an example of subtle energy manifestation in which direct human influence is not involved. These experimental data provide us not only quantitative data concerning the coupling constant between the DNA phantom field and the electromagnetic field of the laser light but also provides qualitative and quantitative information about the nonlinear dynamics of the phantom DNA fields. Note that both types of data are crucial for the development of a new unified nonlinear quantum field theory which must include the physical theory of consciousness and should be based on a precise quantitative background. RESULTS The background leading to the discovery of the DNA phantom and a description of the experimental set up and conditions will be helpful. A block diagram of the laser photon correlation spectrometer used in these experiments is presented in Figure 1. In each set of experimental measurements with DNA samples, several double control measurements are performed. These measurements are performed prior to the DNA being placed in the scattering chamber. When the scattering chamber of the LPCS is void of physical DNA, and neither are there are any phantom DNA fields present, the autocorrelation function of scattered light looks like the one shown in Figure 2a. This typical control plot represents only background random noise counts of the photomultiplier. Note that the intensity of the background noise counts is very small and the distribution of the number of counts per channel is close to random. Figure 2b demonstrates a typical time autocorrelation function when a physical DNA sample is placed in the scattering chamber, and typically has the shape of an oscillatory and slowly exponentially decaying function. When the DNA is removed from the scattering chamber, one anticipates that the autocorrelation function will be the same as before the DNA was placed in the scattering chamber. Surprisingly and counter-intuitively it turns out that the autocorrelation function measured just after the removal of the DNA from the scattering chamber looks distinctly different from the one obtained before the DNA was placed in the chamber. Two examples of the autocorrelation functions measured just after the removal of the physical DNA are shown in Figures 2c and d. After duplicating this many times and checking the equipment in every conceivable way, we were forced to accept the working hypothesis that some new field structure is being excited from the physical vacuum. We termed this the DNA phantom in order to emphasize that its origin is related with the physical DNA. We have not yet observed this effect with other substances in the chamber. After the discovery of this effect we began a more rigorous and continuous study of this phenomena. We have found that, as long as the space in the scattering chamber is not disturbed, we are able to measure this effect for long periods of time. In several cases we have observed it for up to a month. It is important to emphasize that two conditions are necessary in order to observe the DNA phantoms. The first is the presence of the DNA molecule and the second is the exposure of the DNA to weak coherent laser radiation. This last condition has been shown to work with two different frequencies of laser radiation. Perhaps the most important finding of these experiments is that they provide an opportunity to study the vacuum substructure on strictly scientific and quantitative grounds. This is possible due to the phantom field's intrinsic ability to couple with conventional electromagnetic fields. The value of the coupling constant between the DNA phantom field and the electromagnetic field of the laser radiation can be estimated from the intensity of scattered light. The first preliminary set of experiments carried out in Moscow and Stanford have allowed us to reliably detect the phantom effect; however, more measurements of the light scattering from the DNA phantom fields are necessary for a more precise determination of the value of the EMF-DNA phantom field coupling constant. THEORY It is fortunate that the experimental data provides us with qualitative and quantitative information about the nonlinear dynamical properties of the phantom DNA fields. Namely, these experimental data suggest that localized excitations of DNA phantom fields are long living and can exist in non-moving and slowly propagating states. This type of behavior is distinctly different from the behavior demonstrated by other well known nonlinear localized excitations such as solitons which are currently considered to be the best explanation of how vibrational energy propagates through the DNA. It is a remarkable and striking coincidence that a new class of localized solutions to anharmonic Fermi-Pasta-Ulam lattice (FPU) - nonlinear localized excitations (NLE), which have been recently obtained [7], demonstrate very similar dynamical features to those of the DNA phantom. Nonlinear localized excitations predicted by the FPU model also have unusually long life-times. Furthermore, they can exist in both stationary or slowly propagating forms. In Figure 3, one example of a NLE is shown which illustrates three stationary localized excitations generated by numerical simulation using the FPU model [7]. It is worthy to note that this NLE has a surprisingly long life-time. Here, we present only one of the many possible examples of the patterns for stationary excitations which are theoretically predicted. Slowly propagating and long lived NLE are also predicted by this theory. Note that the FPU model can successfully explain the diversity and main features of the DNA phantom dynamical patterns. This model is suggested as the basis for a more general nonlinear quantum theory which may explain many of the observed subtle energy phenomena and eventually could provide a physical theory of consciousness. According to our current hypothesis, the DNA phantom effect may be interpreted as a manifestation of a new physical vacuum substructure which has been previously overlooked. It appears that this substructure can be excited from the physical vacuum in a range of energies close to zero energy provided certain specific conditions are fulfilled which are specified above. Furthermore, one can suggest that the DNA phantom effect is a specific example of a more general category of electromagnetic phantom effects [8]. This suggests that the electromagnetic phantom effect is a more fundamental phenomenon which can be used to explain other observed phantom effects including the phantom leaf effect and the phantom limb [9]. Dr. Poponin is a quantum physicist who is recognized world wide as a leading expert in quantum biology, including the nonlinear dynamics of DNA and the interactions of weak electromagnetic fields with biological systems. He is the Senior Research Scientist at the Institute of Biochemical Physics of the Russian Academy of Sciences and is currently working with the Institute of HeartMath in a collaborative research project between IHM and the RAS. He can be contacted at Institute of HeartMath, Research Division, 14700 West Park Ave. Boulder Creek, CA 95006. Phone 408-338-8700, Fax 408-338-1182. References 1. W.A. Tiller. What Are Subtle Energies? Journal of Scientific Exploration. Vol.7, p.293-304 (1993). 2. G. Rein and R. McCraty. Structural Changes in Water and DNA Associated with New Physiologically Measured States. Journal of Scientific Exploration. Vol.8, 3 p.438 (1994). 3. D.L. Childre. Self Empowerment. Boulder Creek: Planetary Publications, 1992. 4. S. Paddison. The Hidden Power of the Heart. Boulder Creek: Planetary Publications, 1992. 5. P.P. Gariaev, K.V. Grigor'ev, A.A. Vasil'ev, V.P. Poponin and V.A. Shcheglov. Investigation of the Fluctuation Dynamics of DNA Solutions by Laser Correlation Spectroscopy. Bulletin of the Lebedev Physics Institute, n. 11-12, p. 23-30 (1992). 6. P.P. Gariaev and V.P. Poponin. Vacuum DNA phantom effect in vitro and its possible rational explanation. Nanobiology 1995 (in press). 7. V.P. Poponin. Modeling of NLE dynamics in one dimensional anharmonic FPU-lattice. Physics Letters A. (in press). 8. V. Tatur. The secrets of new thinking. Progress Publisher, Moscow, 1990, 200 p. (Russian). 9. J. K. Chouldhury et al., J. Inst. Eng. (India). 1979, v. 60, Pt EL3, p. 61-73.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    廣西壯族自治區的左江發源于越南的北部山區，江水自西南往東北方向流去，經我國廣西壯族自治區的龍州、憑祥、崇左、扶綏等縣市。沿江兩岸，奇鋒拔起，峭壁對峙，山光水色，交相輝映，一幅幅壯觀的赭紅色的崖壁畫，就時斷時續地分佈在沿江數百公里的懸崖峭壁之上。

 

 

 

 

 

 

 

30~40年代其間有一批與愛因斯坦同時期的頂尖科學家,似乎鮮少被人們所知曉.他們包括是Nickola Tesla,Dr Von Neumann和Vannevar Bush.其中幾位參與了當時非常關鍵的計劃,例如費城實驗,曼哈頓計劃與Montauk Project等.Neruda訪談與James問題裡都有提到相關的資訊,以下是一些相關資料.

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Neruda：曾經有過一個ACIO的最高主管，是Incunabula之〝軍事勢力〞的成員，而且是一個非常進入核心的人－－就與它的一些高階層的領導者一起工作這一方面來講，尤其是在美國。

Sarah： 你能透露他的名字嗎？

Neruda：范尼華．布希。

Sarah：他名字怎麼拼？

Neruda：Vannevar Bush。

Sarah：他和喬治．布希總統有關係嗎？

Neruda：沒有。

Sarah：所以他管理ACIO，當ACIO還在它的嬰兒期時？

Neruda：是的。

Sarah：他發生了什麼事？

Neruda：他當時太引人注目了，而擔心他會無法保守秘密是理所當然的。

Sarah：怎麼說？

Neruda：布希博士在運用科技的洞察力和領導統御方面是個有天賦的人。他那時已經進入了政府和Incunabula的領導階層。他跟任何一個可以把一個科學家和工程師的大團隊管理好的人是一樣的。實際上是他把軍事用途的研究之基礎建設建立起來的，但他的名人身份卻令Incunabula的創立者們感到頭痛。

Sarah：給我一點年代感，因為我必須承認我從來沒有聽過這個人。

Neruda：那正好是在第二次世界大戰快要結束的時候，布希博士被邀請去帶領一隊，從NDRC和SPL（特別計劃實驗室）召集出來的研究科學家，要為1940年在佛羅里達（Florida）的外海被尋獲的一艘外星人的太空船做反向設計（reverse-engineer）的研究。這些人實際上就是來自新近才成立的ACIO之頂尖的科學家。那艘太空船因為二次大戰的關係一直被冷藏起來。當戰爭一結束，透過他的網絡，布希成為秘密參與這個新發現的人，並且成為這個計劃案的領導者。就我的了解，當這個機會出現的時候，他才剛從曼哈頓計劃（Manhattan Project，二次大戰末美國製造原子彈的研究計劃）退下來。

Sarah：所以他被認為是保密上的一個風險而結束了他在ACIO的任期？

Neruda：是的。

這個反向設計的計劃案被保持在盡可能的最高秘密狀態。布希博士在藉由CIA（美國中央情報局）的前身OSS之特別預算建立起來的SPL裡主持這項工作。然而，在經過了一年的時間之後，進展有限，（外界）並且有傳聞指向布希，說外星人的太空船耗盡了他所有的議程。

布希是直接對詹姆士．佛勒斯特－－他在那時候帶領海軍，不過之後馬上就成為第一國防部長－－負責的。那時的總統是杜魯門（Truman）。

被尋獲的太空船，是充分完整無缺，而可以用來在它的推進系統上實施反向設計研究的。它的推進系統是佛勒斯特希望從這個計劃案裡得到之最關鍵性的學問。

Sarah：我們在講的是哪一年？

Neruda：這大概是在1945年和1946年之間。

Sarah：所以怎麼了？

Neruda：要記住我對這些事件的了解是基於我對ACIO的檔案之研究。我並沒有親自牽涉到這些事件裡面的任何一件，所以我無法保證它們的完全正確。

Sarah：了解。

Neruda：布希博士被要求要在12個月裡複製出被尋獲的太空船之推進系統，為了要這樣做他並且被授予ACIO以做為資源。

Sarah：那他成功了嗎？

Neruda：只有部分。就它們在合金的持續強度層次方面而論，電磁場並沒有被完全複製成功，因為電子漂流的關係，這－－我努力地把這些保持在外行人的術語裡－－就是它失敗的主要原因。但是，仍然有幾個，在許多方面是複製自外星人太空船的推進系統之原型（prototypes），被建造出來了，而這些就足以為ACIO帶來資金與支持了。

Sarah：那布希博士為什麼沒有加入ACIO？

Neruda：他知道那將會要求他進入不公開，而實際上就是變成匿名（anonymous）。他不要匿名，因為他是個多產的發明家，而且他喜歡來自政府官員和科學團體的注意力都集中在他身上。另外，我認為，OSS的頭目並不認為他的知識能力足以承擔這個任務。布希是一個組織方面的天才，但是要領導ACIO－－就像它在那時候被期待的那樣－－他缺乏在物理學方面的指揮才能。

Sarah：那時候有多少人知道這個計劃案？

Neruda：我不確定。大概有5或6個人知道整個計劃案，另外有50個人知道這個計劃案的部分吧。它是一個，像我之前說過的，被看守得很緊的秘密。

Sarah：你們怎麼能夠讓像這樣的一件事情保密呢？

Neruda：在我們的政府裡有幾個部門是，整個部門都在負責這件事的。那是一個被設計得非常好的程序，包括了法律的契約、清楚的懲罰警告、和包含了（對大腦）非常具侵犯性的科技（very invasive technologies）之著名的制止方法。在最壞的情況下，如果極其重要的訊息被揭露了，就會有一個不同但相關的部門介入進來技巧純熟地散佈不實的訊息。在那時候－－到現在還是－－事實上是不可能把這種訊息公開給大眾的。

Sarah：即使是在1945年，他們就有侵犯性的科技了？

Neruda：是的。只要侵犯性的科技被比較粗魯地應用，它們當然是有效的。在這些秘密組織裡，沒有什麼事會比叛徒更被貶低了。整個組織的文化就是被設計要來獎賞忠誠，和嚴厲地懲罰任何形式的不忠的。

WingMakers中譯資料

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Question 37 – What is the relationship between the Montauk Project and the WingMakers (if there is any)?

Answer 37 – I will give you a peek into what occurred that led to the Montauk Project.

A very bright man by the name of Vannevar Bush (no relation to GWB) headed up a small group of brilliant physicists who were working with the ACIO when it was newly formed. Bush was the ostensible leader of this scientific force who was tasked to perform some re-engineering feats of UFO technologies. These initial extraterrestrial technologies were purposely left for discovery as a means to accelerate the time of the networks (Internet being the first stage – SIN being the culmination stage).

The walls of secrecy are always permeable within the government and military, and Bush became known as a superior investigator of these technologies. This project was held in higher security than the Manhattan Project. However, because Bush was too visible and potentially a risk, this re-engineering project was funneled into the ACIO where Bush was given the opportunity to join.

He declined because of the need to essentially leave society and become anonymous. Bush, even at that time, was being groomed by the Central Race to help invent the stage one Network infrastructure, and he had a semi-conscious realization that his real mission was involved in this endeavor and not the ACIO.

Fifteen, was also being groomed for the position, but was considered less trustworthy as a person with whom the military and Incunabula could rely on to follow their own agenda. Nonetheless, Fifteen was considered a far brighter and more capable mind to initiate the sort of discoveries and fathom the potentials that these extraterrestrial technologies held.

During the time when Bush was leading the re-engineering efforts, he was asked to participate in the earliest experiments in time travel. Even Einstein was consulted for a short time on these experiments, which were conducted in absolute secrecy. The outcome, while unsuccessful, did generate an enthusiasm within the Incunabula (for all the obvious reasons); however, it was not given any additional funding by the military so the project was closed.

The project file ended up in Fifteen’s hands, and there were some elements that were found useful (dealing with transitory states of degaussing). A copy of the project file also ended up at Brookhaven. This copy later turned into the Montauk Project, but was quickly diverted into mind control experiments that went awry. The military really controlled Montauk, while the Incunabula controlled the ACIO (in the early years of its development).

Now, as for the credibility of these men and their association with the WingMakers, I will leave this to you. I will only add that the Central Race works through individuals in such a way that they do not know they are being worked with. Those who claim this communication do not generally have it.

If they have alignment to the Grand Portal it will be obvious in their deeds and words, even if they don’t know about the WingMakers or the intrinsic nature of the universe. I understand your lament that people miss the spiritual undercurrents and sometimes rush to the superficial eddies of conspiracy and cover-up. The two dramas are very different in nature, but they are not incompatible.

Internet是人類有史以來最偉大的發明之一。唯有Internet，才能在短期間匯集來自不同種族、不同領域的菁英，架構屬於全體人類獨一無二的通訊網路。

在西方近代史上，烏托邦的理想一直佔有很重要的地位。第一個接近今日網路雛形的概念起自於西元一九四五年，二次世界大戰即將結束，人類剛發明笨重的像倉庫一樣大的電腦。領導美國「戰時科學研發辦公室」的麻省理工學院副校長布希(Vannevar Bush)在一篇名為「我們可以這麼想」(As We May Think)的重要文章提出：人類的科技不斷進步，知識正以驚人的速度快速累積。戰爭過後，還有什麼事情值得科學家去研究？

布希提出，既然累積的知識，已逐漸膨脹得讓人很難跨出自己的專業，科學家應該發明可以搜尋、交換資訊的機器，讓她協助人類的生產力和創造力蓬勃發展。布希想像有一天人類會發明出名為Memex的「知識儲存資料庫」，可以放在書桌上，可以儲存比大英百科全書多好幾百倍的資訊，可以儲存一個人一生所創造、累積的所有知識。人的思想是跳躍的，同樣的，在Memex裡，也會順著人類的思考方式，建立知識連結的軌跡，日後需要引用時，隨時可以從Memex中呼喚出所需要的知識片段。雖然當時笨重大電腦的功能還不如今天的計算機，但布希想像：有一天，電腦可以做到這一切。

布希的想像力啟發許多人追隨。之後，一九五七年年，蘇聯發射人類第一枚人造衛星史波尼克(Sputnik)，加速美俄兩國間的冷戰，使得美國開始以國家力量主導科學發展。科學家開始構思：有沒有可能創造一個通訊網路，平常彼此連結，核子大戰時殘存的部份，還是可以互相聯繫，讓敵人無法在第一波攻勢癱瘓通訊系統？決策者的想法是，要讓以美國為主的「民主世界」裡的通訊，不再是點對點的直線聯繫，而是形成如蜘蛛網狀地四通八達。國家力量的介入，使網路的發展加速。但許多科學家心中所想的則是：要如何在這樣的架構裡讓全世界的資訊形成一個大資料庫，讓所有的資源都能在電腦之間互相交換？

許多烏托邦式的觀念開始成形。由美國國防部主導的ARPANET，和美國的著名大學合作，從一九六九年起，開始將各大學的主機連在一起。一九七一年時，ARPANET上已經有二十三部主機。一九七三年，ARPANET跨出美國，和挪威、英國的大學相連。同時，追求「分時多工」，具備網路特質，可以讓很多人同時使用同一台伺服器的Unix系統也開始發展，並改用具備跨平台特性的C語言撰寫，使得使用不同電腦系統的工程人員，最後都使用類似的Unix或Unix-like作業系統。一九七四年，ARPANET首度對公眾開放，吸引更多研究單位和私有企業投入。

在網路技術越來越成熟時，不同電腦、不同軟體、不同系統的網路之間無法相容的問題越來越明顯。一九七四年，後來被稱為「Internet之父」的文特‧瑟夫(Vint Cerf)，和同伴開始研發一套能通行於所有電腦上的通訊協定，也就是現在所有電腦上網所使用的TCP/IP(Transmission Control Protocol and Internet Protocol)。一九八二年，ARPANET發佈最後的TCP/IP版本，之後幾乎所有的網路都改成使用TCP/IP協定，透過TCP/IP加入由ARPANET發起，但現在已經找不到ARPANET身影的Internet。

TCP/IP代表Internet實體層面的統一，但適合閱讀網路的介面尚未建立。網路等待著電腦科技的進步。直到一九九一年底，高能物理學家提姆‧伯納斯李在他圖形介面的NextSTEP個人電腦上，正式發表World Wide Web。伯納斯李希望建立一個超文字空間，可以讓全世界透過網路來連結，而且在上面的每一樣資訊，都擁有一個獨特的位址。只要連結到正確的URL，使用者就可以透過網路取得所要的資訊。這是一個儲存資訊、分享資訊的場所，同時，也將是人們工作、娛樂、進行社會活動的地方。布希所構想的神奇火柴盒Memex，終於在人類獨一無二，I字大寫的Internet形成。

TCP/IP與WWW整合Internet之後，加上電腦科技的發展，Internet以爆炸性的速度成長。沒有任何人會想脫離現有的Internet，去籌組另外一個孤獨的網路。現在已經有217個國家、地區連上Internet，網路流量每一百天就增加一倍。在一九九九年底，全世界已經有兩億五千九百萬人上網。預計到二○○二年，這數目會成長到四億九千萬人。

Internet的風行，讓許多人帶著對Internet的誤解飆網路。精準地說，Internet透過「分封交換」(packet switching)（註一）的基本原理，以TCP/IP的共通協定，連結全世界能處理數位化訊息、能傳遞數位化訊息的電子產品，形成巨大的資訊傳遞鍊。Internet是顛覆傳統媒體的新媒體，是顛覆傳統通路的新通路，是顛覆傳統通訊設施的新通訊方式，也是透過程式設計，立即執行使用者意志與選擇的場所。超越傳統的功能，加上Internet全球性的連結能力，使得Internet產業可以集結全球的人才、資金和創意，不斷創造出嶄新的應用方式。

但難以避免的是，Internet也加速了資金的流動與重新分配，造成Internet發達國家與落後國家更懸殊的差異，也拉大同一國家內Internet族群與非Internet族群的貧富差距。當越來越多人為自己在網路上獲得的暴利洋洋得意時，應該釐清的是：從歷史上看，創造Internet的原始動力，並不是商業炒作的動機，而是追求自由、開放、平等的信念。Internet並不是任何計畫的產物，沒有任何集團、沒有任何國家可以單獨創造出Internet。Internet是無數科學家一棒接著一棒，像接力賽一樣共同完成的理想。

1945年布希提出的Memex，在今日的Internet上終於實現。但今日的Memex並不存放在誰的書桌上。Memex存在每一台連上Internet的電腦裡，每一個上網貢獻知識的人，都是構成Memex的一份子。Internet是屬於人類全體的公共資產。

Internet是什麼？Internet是儲存人類所有知識的小火柴盒子。

Internet是什麼？Internet是我們工作、娛樂、進行社會活動的地方。

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